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Illustration of a bird flying.
  • The Breaking Day. . .

     

    Not often do we find sunrise photos.  I thank Jon Katz of BEDLAMFARM.com for this photo which he so graciously lets me use.   Here in California,  morning’s sunrise can be counted on pretty much and often to our detriment as these weeks have shown.  Still, photos like these require a photographer to rise early to greet them and be in the right place.  This is a favorite of mine and says perfectly what I try to say in this Breaking Day.

    The Breaking Day. . .

    There is a texture to the morning
    that I distinguish from
    the silky drape of the night,
    to the languid folding
    of two o’clock in the afternoon.

    I greet it with a welcome
    and crisp breath that
    will increase sharply my taste
    of morning coffee.

    The smooth touch
    of the furry Newfoundland with
    his wet nose give off a sparkle
    of light in the rising sun.

    I taste of the morning with its clarity
    that I will miss in the
    oncoming heat of the day.

    But this breaking day I move
    my arthritic fingers with
    their numb tips and wonder where
    the girl has gone who never gave thought,
    not once, to the dawn that
    would ever break unevenly
    in her world.

    Nor did she ever think that the magic
    of her mornings would ever change,
    and never knew of the Grace
    that the Greater Heart would grant
    her aging one,

    to feel supremely blessed.

     

    October 17, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Reverence For Learning. . .

    If I was to be an earth shaker,  I would first shake man.  I would have the apples fall down on his head again and again until some sense would come from the constant bombardment.  I would ply him with this food that tells him who he is.  I would have him search his inmost self with the intensity that would move mountains.  And I would tell him that all he needs to make his world a fit place to live is to first know himself.  But that has already been written, hasn’t it?

    How to get him first to look within, to study his own motivation and to dispense with his own alibis before he can begin to attempt to disassemble his brothers.   I wish I had the ability to write what is in my heart.

    I wish that I could roar from the top of the highest mountain, the highest building in the cities of men, to tell them of their cosmic connection, of their divine origin and let them bask in their own glory.  I wish, I wish, I wish.  How do I do that?

    How do I tell them that their god is all that they can wish for?  That their brother is indeed themselves walking the path that will lead them to the mansion of many rooms.  That their sisters are truly sisters and color neither separates nor delineates their origins?  How can I even venture to tell them that their godhood is within and there never was  reason to believe otherwise?  The Master told us that.

    How can I tell them love has all the potential of healing the mystifying elements of earth life and  they would indeed no longer be the enemy?  Where is it said that man must crawl on his belly to be able to stand in the true reflection of what is his birthright?

    I would take him and stand him up.  I would take his face between my hands and shout at him that he is magnificent.  I would continue to shout until my voice drowned out his negative teachings of centuries and make him repeat after me.  I am he who walks with my godhood intact.  I am he who walks. . . . .

     

    (I wrote the above in a journal entry on September 6, 1982 when I was 51 years old.  I am now 86.  Many times I have written of my Independent Study Program which I have continued  daily since I became a parent over 60 years ago.  I felt our children were special and I wanted to be equal to their needs.  I began my ‘need to know’ seriously.  I wanted to answer their why’s adequately and with knowledge. 

    I did not know the depth and height this journey would take me.  I did not know it was a journey.  Only now I realize in working to cross reference my work of 60 years,  that the injustices I have seen throughout my life are now surfacing onto the international scenes.  I see support systems coming to life with hope for the future.

    The above thoughts have deepened and broadened and integrated in my philosophy. I was mostly silent with my thoughts because they were unusual for my day.  Being told I was out of step I now find the opposite to be true.  I have found as those in ancient days that the inner experience is our most valuable guide.  The heart’s intent with clarity is the valid one.  All of life’s experience cannot be proven in the laboratory).

    October 14, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Sum Virat Honor. . . We Honor Truth. . . .

    It is not without recourse that the soul cries in the night.  It is not with abandon that the individual who mourns whatever loss, be it of his innocence or that of a physical parting, is left.  We know and are known, and never is there a thought which rises from the physical brain and immortal mind, that is not noted.  It is these hard times that call our heart’s yearning.

    My Song Goes Out. . .

    My song goes out on this morning’s air
    and penetrates the sky to where the stars
    hang in the universe.  My lyrics ride the beams
    that will meet the sun as it rises and
    hang in the midday until even the grass hears
    the melody or the mourning.

    Look who is here, who is here, they say,
    she speaks to us and we hear, we hear.
    And I will say, it is a good place, this Earth home.
    And I learn to speak its language and to learn
    to sing its songs.  It is this space
    where my sounds break out into form
    and I see, oh yes, I see.   And I knew it all the time.

    So listen to me, dear Earth and sea and sky.
    I speak your language, your sound and hear your music.
    And it is all for me, for me.  The tension
    in my body is the lyre on which you play your music.
    The mind is my opening onto worlds that I know
    exist and can feel through the thoughts
    winging sometimes painfully against my ears.

    Listen to me, they say, and hear, hear, really hear.
    I have songs to sing and lyrics which spell out
    your beginning which never was and ending
    which cannot be.  So listen and I will long
    to seize you and carry you and tell you
    of a richness that is yours since you were a star.

    Laylo, laylo, sum virat honor.  I liken you
    to the eddy which flows in my direction.
    Laylo, laylo,  sum virat honor.  We honor truth.

     

    photo by
    Joshua D. Hallissey

     

    October 11, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Show Me. . . you are the more. . .

    Show Me. . . you are the more. . .

    When I see you in your prayers,
    you pull from me
    something akin to obeisance
    of the highest kind.

    I drop to my knees
    and want to pray with you,
    to the mighty of All That Is
    who garnished upon us all
    the sweetness that would
    turn the hearts of stone
    awash with tears.

    Tell me,  how do you enter
    that holy place so quickly
    when your thoughts begin
    with the heart of the child
    and take them to the
    highest altar of the mind?

    You almost take
    the highest and best into yourself
    by some turn of mind
    and close out the rest of us
    like the door closing against
    the onrush of minor thought . . .

    How to get there?
    Who lets you in?
    Somewhere you go that
    closes us out but, yet. . .
    your love includes us.

    You step over what is invisible
    and takes you to the promised land,
    which is not a place but a condition.
    You know of what I speak
    and so do I.
    I want it for me.

    Because you are the more because of it.   Show me.

                                                                        the Teacher. . .

     

    (Scribed.  Journal entry August 27, 2017)
    art by Claudia Hallissey

    October 7, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • We Are Her Stewards. . . . . . love her. . . serve her. . . protect her. . .

     

    Photo by
    Joe Hallissey Sr.

    October 1, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Angels Unaware. . .

     

    Angels Unaware. . .

    Seldom do dreams stay with me,  and though there are many diverse opinions on the importance of dreams,  in early times they were taken as imperative directions.  This one has stayed with me every day for a week.  It was a dream of deaf children and it seemed it went on all night.

    There is a young woman hired to work with the deaf children.  She is well spoken and extremely good at teaching.  She is patient and clear in methods.  She is persistent in getting the children to work at being understood.  She teaches  body watching, body language, lip reading and any intuitive impulses.  Emphasizes words forming in speech and eye contact.  She  teaches ways that the body can use muscles  to work organs for added functions.  Since ears do not hear, she knows that other parts of the body are called into use and do what the ears cannot.

    Most people do not know this.  Most people do not know there are other ways to hear than by ears.  Other parts of the body can be called in to substitute for what the ears cannot do.  She is good.  And helps many children learn to speak where before they wandered the silences.  The group  is so impressed with her work and success with the children,  who learn to speak  well and clearly,  sometimes even the average person is not convinced the person is deaf.

    At the awards evening she is praised  highly because of her  excellent work with everyone in tears.  She stands up to give her gratitude  for the awards and is so overwhelmed she starts crying and the words out of her mouth are MY FAWA TOL ME I WA NO DEF! spoken like a deaf person with imperfect diction.  My father told me I was not deaf!  And my heart just about stopped in the dream and I realized that she was deaf and spoke like a deaf person but when not under emotional stress was clear in speech.

    I was weak, though lying in bed, with the knowledge that here she was teaching what she had been taught.  Her body took over for her ears and she was able to teach because she knew how.

    The dream has stayed with me and so have the questions.  Does the story tell of the young woman’s deafness , of her inability to hear but because her belief in herself and love of her father and his faith in her abilities, was able to call upon her body to use its self to the utmost and have her other organs and body do what her ears could not?

    I remembered the story of the blind woman who worked in an office building who was legally blind and ran a concession stand who commented on employees’ new clothes,  a blouse or a purse and the person who told me the story insisted that the woman could not be blind.  She was and I remember telling the person that there are other ways of seeing than with the eyes.  I did not know how,  but I was certain of what I was saying.  Now I am more certain.  My own experience with deficiencies has proved to me that the body wishes to accommodate us.

    When the footwork is done,  when the desire and intent is real,  heartfelt,  because the heart does not respond to any but intent that is truthful,  the work begins to show results.  It may not be in one’s  lifetime,  but in lives long after us.   We are in the larger picture with names attached.     Not only are we our own keeper, but our brothers’ keeper also.  We are the angels unaware.

    September 28, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Bread, not cake. . .

     

    I want bread. . .thank you. . . .

     

    I have worked out this loaf that pleases me greatly.  It is a favorite when it is fresh and toasted it is not to be believed.  An open faced cheddar sliced cheese melted on it to toast with a couple of slices of crisp bacon on top  makes it a meal in itself, with some fresh slices of cucumber and tomatoes on the side.

    Few ingredients are necessary.  I had on hand a 3 ¾ quart stainless steel saucepan with cover and stainless steel handle that is perfect for a baking pan. I line it with parchment.  I did not have discretionary income to buy the elegant baking pan that was thought necessary for the no knead bread.  I had also on hand a stainless steel thin spatula from as far back as I started to cook and it works perfectly to scrape the dough into a mound.  These are the tools with a rubber spatula to make this.

    My No Knead Bread

    3 cups white unbleached flour     (I use King Arthur)

    1 cup whole wheat flour               (I use good stone ground)

    1 tsp active dry yeast

    2 tablespoons molasses
    2 ½ cups hot water       (put molasses in bottom of cup and add hot water and stir)

    1 tsp salt                         (I use kosher)

    (optional    –   added grains,  like millet,
    bulgur,  flax,  oatmeal or even crushed granola)

     

    The bowl should be large enough to let dough rise above double the amount.  I dip the measuring cup of flour in flour canister and shake to measure .  I stir all the dry ingredients very well to distribute evenly and add the hot liquid.  Mixture should resemble drop biscuit dough.  Enough liquid should be added to work dry ingredients into center of wet batter.  It should not be liquified,  just wet.  Stir to blend well.  Cover with plastic wrap or large lid tightly and put in draft free place.

    I let rise overnight in oven with no heat of course or if I want it that day I put in oven with light on (some oven lights do with no heat on)  to rise in warm place.  The dough should rise for at least 3-4  hours and better if  time allows overnight.  But it can be done with no discernible difference in less time.  I have let it go 12 hours and as little as 4.

    Spread a half cup of flour in a six inch circle.  When dough is double and ready, take spatula and gently turn out on floured counter with few motions.  Enough flour should be on counter to allow dough to sit.  Spread a handful of flour on top of dough and here you can add whatever grains you desire.  I add 2 tablespoons each of bulgur and millet and sometimes flax seed and a handful of oatmeal.  Sprinkle on top of mound of dough.  Whatever your favorite.

    Take your steel spatula and lift the edges of the dough onto the center.  Keep doing it 12-15 times to make a firm half mound.  If you need more flour,  sprinkle more so it will not be tacky.  The less handling,  the better.  When you make  it several times,  it will be done in a few minutes.  Lift it into the pan lined with parchment.  Put the cover on and slide it into the oven for an hour with no heat to grow.

    After an hour leave it still in oven with cover on and turn on  oven to 425 degrees.  Bake cold oven start for 40 minutes.  After 40 minutes , with hot mitts on lift hot cover off and put cover  in sink.  It will be hot so be careful.  Leave pan with bread in oven for another 20-25 minutes. Mitts on, be careful removing hot pan with bread and turn onto wire rack.  Peel off parchment and let cool before slicing.

    This makes a healthy, excellent loaf and easier than going to the store for a loaf of bread.  My mother would be envious and grown men would cry.  That good.

    September 27, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • A Balanced Judgment. . .

    Many Chances. . .

    I had written that it is a wonderful play on words when we are given a phrase and then run like the wind with it.  I had written about  ‘a sense of snow’ and someone with this sense can tell you many things when seeing a footprint in the snow and who made it.

    There is also a sense of time and also a sense of place,  a sense of self and a sense of who we are and what we bring to the moment.  It sums up what we do in gathering ourselves,  the many parts of our self and bring to the present moment the substance of us.

    When we see our place in the larger scheme of things, when we enlarge our premises and push out boundaries, we see how we contribute to universal evolution.  It is our purpose in life in this dimension to contribute to all of life.  When we become aware of our sense of this, we cannot become unaware ever again.

    (I scribed the following for a journal entry. . .’unite whatever effort in mind with hand and you will have consumed an enormous portion of this life.  Be it for the benefit of mankind and you will have found your life’s purpose.’)

    In that same journal entry I mentioned that we had friends over for dinner that night and were enjoying the conversation concerning issues ongoing and deeply felt.  We were discussing Mozart and the movie about him and at one point the conversation was silent. 

    It was everyone’s question which was why it was voiced.  Why,  a kind and gentle man asked,  why would God have put such wonderful music into such a vulgar man?

    Precisely why,  I said, precisely why.  And no one at the table understood my comment nor saw the connection when I explained that it was sobering to offer judgment without knowledge of the substance of the subject.  Persons are vast subjects and to presume judgment limits all parties.

    When there is a sense of self and many selves,  all in evolution,  and we are aware,  we see the fullness of who we are.  As the wise Ethel Waters said, ‘I am somebody.  God don’t make no junk.’  We are not a whim of the Potter.  Life is a soul keeper and we are given many chances to achieve our potential.

    (Excerpt from poem)

    When I Change My Life . . .

    When I change my life for a new one,
    I will have another chance
    to love, to feel, to laugh
    and to stretch my psychic bones
    and shout to a world a hello again!

    When I change my life I will remember
    what made my life sad and
    not to do it again and what made me glad
    to remember to do that again.

    I will remember why you cried
    and why you went hungry.
    I will remember we are two haves
    and I will share what I have
    and you will share what you have.

    It will be a better world and
    we will work to make it so.
    I can say that because I know.
    If daffodils get many chances
    to come up new and mushrooms too,

    am I not worthy of many chances?

     

     

    September 24, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • An Observation. . .

    Nowhere Else To Go. . .

     

    There are  those who are quick to say that all of life consists of making choices.  And choices are made many times.  But what is not considered is that Conscience is a heavy determiner.  There are circumstances that prevent choices and options are non existent.  Commitment and responsibility are obvious reasons for negating personal preferences.  The road becomes narrower as one ascends.  Be compassionate before leveling a charge of ‘you made your bed’ at anyone.  One cannot know the weight of the world Atlas shrugged.

     

     

     

    An Observation

    You say. . .
    What I see as your reflection
    is not what you think.

    I say. . .
    I don’t only think but I see
    this face I don’t know.

    Her contours are strange to me,
    speaking of an old one
    who can no longer
    remember another face.

    You say. . .
    Her light shines for me,
    speaking of a road traveled
    long and hard.  One that would
    not be freely chosen unless
    one loved much.

    I say. . .
    The road I traveled was mine
    because of circumstances I
    could not change.

    You say. . .
    Hard it was
    though not for naught. . .
    The derision is only surface
    signifying a significant accomplishment.

    I say. . .
    It did not make
    the face beautiful.
    My eyes do not deceive.

    You say. . .
    Other eyes see differently.
    And one day other eyes will be yours
    and with those eyes  you will say
    . . . there was nowhere else to go.

    And nothing else to do. . . .but do.
    And we will vouch for your authenticity

    and share the awakening.

     

     

    art by  Claudia Hallissey

     

     

    September 22, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • What Is A Mind For? . . .

    What is a Mind For?. . .

    When I read that it is nearly impossible for a youngster in high school to take upon themselves a novel and read it through to  report on it,  I had trouble believing it.  A high school student?  And the reporter of the article also had trouble.  She took a difficult book and it took her three times to begin and finally stay with it.  She was a young woman faithful in her reporting.

    Because of the use of devices and the brevity of transmitting language, the young are losing the ability to keep in mind sentences longer than a few characters.  Texting someone a hundred times a day perfects this ability to transcribe thought.

    And to keep a sentence, let alone a paragraph in mind for a complete thought trashes what centuries took to make civilized countries literate.   What went into making us humans and to help evolve our species has put us all into the lane for Sunday drivers.

    We have lost a generation that was going to save the planet and help mankind big time.  We have instead a distracted generation that checks their devices all day to see their Likes from those invisible but yet influences their behavior to such a degree that relationships between touchable humans are ignored.

    Discovering exciting information or pursuing insightful curiosities are not enticing.  Learning requires focus and a challenging pursuit of something that changes one’s life to broaden one’s frame of reference.

    The explosion that occurs within our mind when something is learned is not forgotten because it is never experienced.  From the toddler who swivels to music by pressing a button on a toy that blares rhythm is enough because it brings laughter and applause.

    It is with effort that the first Dick and Jane equivalent is attempted.  They soon know the pictures on their tablet can be changed within seconds.  Focus with study is not learned because effort is required.

    You think too much, I soon was told.  You read things into conversations.  That was not said, they would tell me.  Stick to the point I heard.  Answer the question.  Spare me the drama was the demand.  And the list was endless.  I was young and wanted what the adults knew.

    Tell me what you know about this.  But know they did not because they had given no thought to the subject in question.  I was asking them to reveal their inadequacy and they resented that and me.  My intent was to connect.

    How can a language be a weapon of war?  Easily.  Maybe we will regress to grunts and groans again and leave body language to add meaning to a question.  It was during mid life that courage came to answer to ‘you think too much’ with ‘what’s a mind for?’

    The Talmud teaches the purpose of life is to learn.  What we fail to learn and live will be repeated with ongoing life in worlds and circumstances not so pleasant.

    The heartbreak will be in not reading a book is because they are unable.

    September 19, 2017
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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