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Illustration of a bird flying.
  • Book Drawing

    Exhibition

    The Last Bird Sings is a story within a story and the form is much loved in European Literature.   It contains excerpts of my life along with my understanding of these events in the long scope of my life;  how they have shaped me into who it is I am.   How and why I view my Self with what I consider All That Is.  It is about my need to build a philosophy that would hold me up no matter what the events of my life would be .   I write of our connection as human beings to All That Is.   It is my view of our humanity and our divinity.

    The book drawing will be from Monday the 10th through Thursday evening the 13th of March.  The winner will be announced Friday morning the 14th of March.   And then the book will be in the mail as of the next week.  It will be a blind drawing and all that is required is that you leave your comment on my blog.  Your e mail address will not appear on my blog.  You may comment on a post that I have done on my blog or why you would like to have a copy of The Last Bird Sings.   I will welcome your comments.  And I hope you think it is fun that you might be the winner!

    March 7, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The Night Sounds

    DSC_1201

    Not quite 50 when I wrote the following one Saturday night in a September journal entry.

     

    The window is open where I sit and it is black outdoors.   The dampness is coming in and I am almost transported to my youth and it is once again life on The Farm.   The crickets are making their own kind of noise, certainly peculiar to crickets but the night itself has its own kind of sound.   Does stillness have its own sound and can you hear it?  The muffle of the daylight brings on the darkness and it pulsates with its own vitality.   I wish I had the words to tell it.  It is almost as if I can flow right through the screen and become a part of the night and disappear into it.  With not even a ripple to disturb the night.   The poem said it long ago that somewhere the night has a thousand songs waiting to be sung.   But never enough time.   Never enough time.

    Is there a point in life where if you lived just one day longer,  you would find a difference in your perspective and it would convince you that your entire life had been lived with the incorrect premises?  I wonder. . . . .And what would that do to you?   Would that one day more convince you that it was not necessary to repeat another life or make you more determined to come back to earth and try again?   And who has the time in physical life to take on the enormous task of searching for the gods?  Can you squeeze it in between the work life and home life and million details of just plain living that boggle the mind?   Or will you find it at 11 o’clock on Sunday morning?  The search is all encompassing and consuming for those of that persuasion.  It amazes me that there are those who give it no thought at all.  Can you live a life without searching for some meaning, any meaning?  Or is it enough simply to get through it?  I wonder what sort of contracts are written before birth to enable one to move through earth life with no complications.   Some ground rules must be laid and if  so, by whom.   Except no doubt by the people involved.

    (As the mother of 3  I innately knew and told them as often as I could and always on birthdays that I am glad they chose me as their mother because I chose them.  And it was a ready answer for the often adolescent retort which invariably stated. . . .I didn’t ask to be born!     Ahhhhh but you did!)

    Photo by Joshua Hallissey
    click on photo to magnify

    March 4, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • To Be Born Anew

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    To Be Born Anew

    The heads of state
    sat studiously brooding over
    the new confrontation;
    perchance an answer lay buried,
    obscured.

    Why should we, they pondered,
    be for all things and all people
    always a hundred per cent?

    Only because
    Conscience told them,
    when you see it to be done,
    it is yours to do.
    The how and why of it
    Discipline will determine.

    Otherwise it remains undone
    and the situation
    will come back to bite you.
    It has always been thus
    to those who are well endowed,
    with virtue unclaimed.

    The obvious is a source of power
    to the one who sees,
    resting amongst a world still
    waiting to be born anew.

    There is always that hope.

    March 3, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The Gold That Shows

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    My friends thought I was obsessed with connecting the dots.   This is the process by which I see an event and see its consequences while the event incubates.  I have a lifetime behind me where I was a veritable Sherlock.   They were unable to see the connections between people or events even when pointed out.

    I find the most disconcerting phrase being ‘live in the moment.’  Everything is in the  moment.   Whether it is love, (STD’s or who will take care of the baby disregarded) or a war being declared.  These things are real but their roots are not in the moment but in the many yesterdays.   The moment has no meaning without a yesterday.   If we have no yesterday,  today is sterile, impotent,  without meaning.   It is  a well thought out and lived in yesterday that gives this moment its meaning.   Why do I press this?   If our yesterday was not filled with events that were thought filled,  that were fulfilled,  then yesterday will make this moment null and void.  And those who see dots and make connections are sometimes quick to take advantage of those who do not.

    Socrates was filled with advice about putting meaning into our days.   He said that the unexamined life is not worth living.   It is only by remembering the past and chasing our memories that we begin to know who we are and from where we come.  It is only by understanding the past that the present,  the now,  will not have to repeat the past.

    Oftentimes and too often it seems,  when it comes to our Earth’s resources,  we mortgage our children’s futures.   We must sit and think about the past,  not only ours but our ancestors.   We must take time to reflect on our behavior and how we contribute to our problems as well as the Earth’s.  What can we do to make the present more commendable?   We make our present richer when we glean from the past those lessons and times that are good memories.   And we learn from the bitter failures what we do not wish to repeat.   Let us thoughtfully include them.   The present moment only has meaning because of what we bring to it.   And if we find our Now empty,  it is best we look within.   We take who we are into tomorrow and find we have within us basis for a future with meaning because we root our present.

    We are the gold that shows.

    Double click on the photo.   This plaque was a gift from my sister who read The Last Bird Sings and surprised me with this gift.   She read the first manuscript and this impressed her thinking.  It has much meaning for me.

    February 27, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • My God Watches Me

    Icicles on trees

    (When I published the journal entry called Hidden Lessons,  I was nudged to go through my files because I thought there might be a poem I had forgotten about.  After much searching I found it and thought I would follow the Lessons essay with what I had written March 08, 1998.  It explains to me why I was so moved and grateful to the young woman who stopped that day in September in the year 2000.)

     

    My God Watches Me

    Over and over I create
    and recreate situations and wars
    with symbolic enemies
    but sometimes not.
    I must watch my responses,
    my actions and motives
    lest my God think less of me.

    So I spare my God further annoyance
    by monitoring my Self.
    The situations and ordeals
    are best kept in mind.
    I articulate my position
    to establish myself several times
    in the course of a day.

    The wars and arguments
    are pacified,  but only after words
    become too tiresome to continue.
    Peace becomes the only option.
    I work toward perfection
    and a hard work it is as anyone
    who knows me would agree.
    It is necessary though,  you see,
    for my God watches me.

    I watch-dog my actions
    and harness my tongue and change
    hurtful thoughts with labored caring.
    It means I reconsider
    my earnest evaluations of mine enemies
    and present the other cheek.

    I pretend I prepare myself for sainthood
    while I breathe the rarefied air
    of my benign earth.
    And watch my Self
    as my God watches me.
    Not so easy to do this
    monumental work of sanctification.

    Of my internal warts and grievous errors,
    I am deeply conscious.
    But perhaps I prevent them
    from penetrating my soul
    as long as I keep close the knowledge

    that my God watches me.

     

    Photo by Veronica
    click on photo to see icicles on pine trees

    February 24, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Where Is Safe?

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    May I ask you a question?   He was sitting at the window and looking out as if he could will the sun to come out so he could play outdoors.   Why you ask?   Because I want you to know that if you don’t want to answer,  you can say no to me.   But you always answer my question and never say no,  he said.   I woun’t say no to you,  he said.   I maybe not know the answer but I woun’t say no.   I tried to frame my question simply.

    I wonder, I said, if you can remember what it was like before you came here to live.   I waited.   He continued looking at me and I thought past me and then asked,  which time before?   I drew breath and then said the one you remember best.   And he smiled at me and said the one where we were together before?   Where was that I asked.   He said, you know,  you know.   That’s why I choosed you this time.   We were bestest friends and I knowed how much you could help because we were bestest friends.

    Where was that I asked again.   He said in that cold place where we had to hold hands so our fingers could be warm.   Who was there with us I asked and he searched my face.   He was reading me I thought and then wondered why.  He said it was a hard time and this time would be better.   Why was it a hard time I asked and he said because our bodies were broked and sick.   This time he said we are not broke so we can go outside and play.   We were too old and broked last time and the cold hurt when we breathhhhddd.   How do you remember that I asked and why do you remember.

    Because here I can breathhhedddd and it don’ hurt.   My throat burn in that place when things ‘ploded  ’cause they fighted all the time.  You ‘member he said, you ‘member.   And he became silent and his eyes clouded.   And he said,  we say to each other,  never  ‘gain,   never  ‘gain.  I pulled him to me and hugged him and said never again.   We will try to stay where it doesn’t hurt to breathe.   And I wished I could promise there would always be a place where it didn’t hurt to breathe,  but I could not make that promise.   For this time only,  I could hug him and keep him where the air did not burn his throat.  But how long before all places would be safe?

    Until life in all forms vowed not to inflict such terror in worlds where to draw breath just to live would hurt,  we would continue to work.  That is a promise.

    February 19, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Communion

    index

    snow cover reflects
    unto the bed of day,
    like the white lilac
    on a summer night.

    radiance expected
    with the dawn
    will discover itself in the light.

    it is a damask world
    of white on white.

    when the thaw comes
    there will be no trace
    of the winter things
    nor the magic grappling
    on the other side of the door.

    earth lifted up itself
    and raised the host. . . .

    or did heaven bend to eat?

    Photo by Joseph Hallissey Sr.

    February 15, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Say That Again?

    Uneventful is a merciful condition and that in itself is a large blessing.

    Why do children require no lessons on being naughty but many on how to be good?

    What is the meaning of ice cream and why does it warm the heart?

    Why are the hardest lessons learned tied directly to the heart?

    Some things at length are no more a matter of forgiveness but of humanity.

    Life was meant to be lived and learned from and only of recent times was added the pursuit of happiness.

    As long as the eye beholds and another heart receives, there will be reason to keep breathing and not give up.

    The unfed Spirit is just as hungry as the unfed body.

    To insert the cosmic into the mundane is what we must do even if it means one must make vacuuming a spiritual exercise.

     

    February 10, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Words

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    “Tis folly”  he said.
    “to write a word,
    for all words mean all things
    to all men,
    and some words mean no thing
    to some men,
    even when they mean
    everything to me.

    I have weighed each carefully
    in my heart,
    using my feelings
    as a scale.
    I labeled things
    only when I became a namer.

    I loved only when I became
    a lover
    and I made life only
    when I became a creator.

    So I now write
    to communicate
    and find that man no longer reads.

    Perhaps I will make marks on sand again.”

    Primitive art by Veronica
    Click on artwork to magnify

    February 6, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Hidden Lessons

    Barn Scene - DetailFrom a journal entry September 25, 2000. . . . .”I meant to come down and write this story last week when it happened but again I did not.   Whether I am becoming lazy or whether just tired,  I don’t know.   But when I was unloading the car of groceries in front of the house,  a car came by with a young woman in it.   She pulled up in front of the house next door and parked.   She got out of the car and approached me with a slip of paper.   She was looking for a street address which she had written on it.   I told her this was the seven hundred block and she would do well to go down the next block to the East.  She was a little thing,  probably in her thirties or so and she said in broken English that she had come to a garage sale a few days ago and when she got home she realized that she did not pay the woman enough for whatever she bought.

    I said well,  that is awfully good of you to come back with your money and I know the woman would appreciate this act of honesty.   No,  no,  she said,  my God sees me.   My God sees me.   And  that is why she was coming back.  I said,  thank you,  thank you.   For I had fueled my body with resentment to get my errands done and had forgotten momentarily what I was all about.   I was grateful to be reminded that when I am at a loss for a good reason to do things,  the one reason should be reason enough.   My God sees me.

    I brought the groceries into the house and was coming out to put the car away.   I saw a car slow down in front of me and the window slid down.    It was the young woman from before and she said thank you to me again for she had found the woman and returned the money.   No,  I said,  thank you.  She smiled and waved herself away.    I think about her and can see that face with her scarf binding her hair and the smile crumpling a dignified demeanor.   And I am grateful again for being reminded that even with feelings not seen by the outside world,  my God sees me.   Anything that corrodes my Spirit needs to be worked on immediately.”

    (And today with so much flooding our circuitry,  it is easy to forget the basic lessons.   I am grateful for the written word.)

    February 4, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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