Except you know you do. . .
All it takes is just one I hear,
to look for the sun to rise each morning. . . .
to look at the moon at night and wonder,
. . . . where home is. . .
to keep the world turning on its axis.
Just one to hear the promise that
the rose will bloom along the fence
in the dead of winter. . .
to have the promise ring true. . .
and the world to hold its shape.
To have just one
to care enough to rail
and fill the hunger for love
of just one child to the grave,
when the child is harbored abandoned
in the big body, still . .
Brains and body parts halt in growth,
except to clone another just like themselves.
But who cares? You do.
Your Teacher said . . suffer the little children,
tolerate them for he gave unsparingly of himself
to assuage the Unmerciful God from the first book,
though for untold centuries
mankind tried to gain tender mercies . . . . . .
The greatest hurdle. . the Everest to climb
is the not knowing.
Are you the ‘only’ who cares?
You think you are not so different. . .
like others? And they care too?
Not sure you might be the ‘only’ who cares. . .
to feed and nestle the babe
before you turn off the light,
. . .but someone needs to stay the night . .
so who else cares . . .
. . . . and is god. . . .enough? Of course.
artwork by Claudia Hallissey
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
It is late. And I am an old woman. I sit here and cannot see the keys of the keyboard because I weep. I have delayed coming and writing this again which seems to be a signature poem of mine and it is not an honor I wish to claim.
In differing times I took the hand of our David and walked him home. I brought him into our world, so when asked, I knew what to do. The empty holy days and holidays we have all struggled with; the empty chair that would not be filled in this our lifetime knows who belonged there.
And since then and I have not chosen to remember, I see by the number of times in this poem’s history, it is far too many times I have posted Times Such as These. I cannot bear to think of families at the tables with empty chairs. Life fills itself with mundane tasks to wipe hours from days and days from years, but life does not know what to do with the silence at the family table.
In the course of events, there are many noble issues concerning weapons that take life. And any effort to halt this carnage would bring halos to heads. But as a mother whose child grows beneath her heart to form a bond we have no language for, for the fathers and sons and siblings who will be forever linked in an eternity which houses them to this minute, the meaning of love will be the one no longer here.
For the ones who still can do something noble, please do it because you also are in eternity and I tell you the pain does not let up.
Times Such As These . . .
I lock up the room and pocket the last remnants of words laying about unattended.
Fearful that pieces of my heart may be found scattered among them. And why not?
Times such as these leave us with little salve to heal the open wounds which once were hearts.
For whom do we weep? The children whose siblings will no longer come to the table to convey with no doubt the events which took their innocence?
Or the parents whose hearts were transplanted when word came that these unspent stars were already breathing the rarified air as heaven’s most blessed?
Look at us here. Pleading that our children will be safe as they try to understand what we in our dotage have not learned. To resort to arms
means death in any country.
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Word reaches often that there are issues with some of my posts that are unreal; that perhaps I don’t know how the real world works. I write what I know, not hope or pretend. As Lawrence O’Donnell commented on President Biden’s Inaugural, experience is something you cannot teach.
We always knew it, I think, just never applied it to ourselves. Seldom are we lauded for our experience, mostly they say that we learned things and are old for sure.
When I say we go to an earned place when we die, I know it. It has taken a long time to be upfront with memories and some of them are painful. I wrestle the painful anyway to squeeze the good out of them.
If life were not everlasting, I would follow the daffodil or if hard pressed, even the mushroom because they come up year after year forever. It has taken many lifetimes to learn what I know.
One of the catalogues of this past holiday had a printed shirt that took my interest. I paraphrased the words to say ‘I read, I research everyday and I learn. Therefore I know some things.’ (not a lot, but some things)
I understand that heaven’s remedial classes are now instituted to get a head start on Dr. Jonas Salk’s Conscious Evolution. This is evolution not to survive because we have spent lifetimes learning how, but to evolve to a higher form of human potential, with the spiritual aspects of more compassion, empathy and the heart elements like love and the more stingy, sharing.
I came dragging a foot from a world where learning was held sacred and have lived a functioning life for almost a hundred years. Not easy . . but doable. But thinking I should wear a hazmat suit for protection from cynicism which may yet do me in.
THE POET’S MEMORIES. . .
Torn from an event
with memories still alive
and placed in an incubator to breathe,
are poets expected to live.
Leaving a world incomplete,
they wander in vegetation
totally unfamiliar
and yet expected to survive.
And give rise to credence
in a world with no root,
where trees are shades
of others more vivid,
whose flowers whisper their names
in a forgotten language,
whose people are ghosts of livelier images,
all crowding the nimbus.
Where horizons are vast
and what eyes behold are stark lines
dividing two dimensional realities
pretending a depth that fools not a one.
Where snow sheds its stars
on a crystal night and the night becomes
a holy night eliciting unexpected
extravagances, bestowing grace.
All grasped in a moment’s vision
to linger through worlds creating ulcers
by gnawing the viscera
with dreams not completed.
The poet’s pen
translates worlds of mean existence,
from memories held
long in the heart’s pocket.
Translates the colors of those other places
where winds caressed and sun bathed
a skin unlike his own.
In another place and time he walks
and because he does
his memories give rise to an Other’s dream.
Poem Jan 11, 1988
art work by Claudia Hallissey
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Coming into a chosen family will be what someone calls a misfit. And the label will stick. This often is a child with a need to know everything and talk. There will not be anyone to listen. Because there will be other children, work to do, buses to catch, and excuses given on the spur of the moment.
I don’t have time to listen will be the mantra. And the child grows to be adult with the need still unfulfilled. Because in the course of life, there will be work and school, meetings and planes to catch and television. Now of course we add hand held devices and no time to listen to one sitting next to us.
The need continues in those born with the desire to learn and talk but there is no matching soul with a similar need where we are. The sweet hours of the night are filled with the best conversations, though silent they be. No matter the fatigue of the soul, the mind conversations are filled with wonder and appreciation as we prepare for conference.
I awoke with the words, however long the night is, and wondered perhaps I read them someplace. Years of research never found them anywhere. It proved to me again, that we are not abandoned. It is included in Psalms of Love. . . on Amazon. Get it for the one you love. . . .
However long. . . .
However long the night is, is however long we’ll talk. A tongue dismembered from its throat is punishment too severe to be humane.
It has taken a life of silence to filter through its members; lessons enough for the toughest skin to break.
I have marched with your words through endless tasks, through nights not filled with magic. And heard the harangue from compressed lips tearing even the plea of forgiveness from Me.
Now I promise. In the stillness of the life you know I will come for you. In the light of the night I will make my way and no walls will bar my entry.
I will sit the night and across the table a hand will clasp the one you call your own. And in the magic of words spoken I will listen to the story built to house lives of wonder.
It has taken too long.
And we, the each, will speak and listen and as the words flow like rivers toward their delta, in ribbons of courage, we will stay the night.
And however long the night is, is however long we’ll talk. Nightwatch
by Claudia Hallissey
We will sit and talk
by John Holmes
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
The Keys Of The Kingdom. . . . (In the conversation I mention about the satisfaction in the doing of what most consider work with my brother Stanley, and he said I hold the keys of the kingdom, in my terminus I see the wisdom of this.
I was told to ‘do and you will be shown how’ and a lifetime of telling myself that ‘with a little bit of practice it will be perfect.’ Much was never perfect, but I became addicted to learning and a lifetime was lived learning, giving me a joy in the doing of it all.
And giving rise to the comment from my mother in law that I did so many things so well that the rest of us would be happy with just one of them. My addiction was a curse as well as a blessing for various reasons. And being taken for granted was one because it was all fun for me so they thought.
Learning still involves work and sweat and many did not see this. But regardless, I was the winner for sure. And my corner of the world blossomed with the passion of my love for this earth I still think is the best classroom ever. Please be better stewards than my generation. Nature’s wounds will forever be scars on our memories.)
( from a previous post of 2018 I edit). . . My good friend appeared at the door and said you have to learn to play and we start now. Alas, another argument begun about our differences , proving again opposites can be friends.
It is my good fortune and sometimes a curse to have the ability to view and discern behavior. Because I see clearly what is one man’s meat is an other’s poison.
People approach work and play differently. I watched our sons grow and in process changed attitudes. Mowing lawns, chore, but cleaning the garage, therapeutic with a ‘look what I found!’ Planting flowers with their Latin names an art and school homework eagerly approached as to subject.
With the youngest I looked forward to making a hockey rink every week after Christmas. I happily stood in below freezing weather and spraying but 2 a.m. was my last spraying I shouted! I somehow related to my elderly neighbor who sprayed with hose and nozzle in the summer for hours. There is something spiritual about watering whether ice rink or garden.
One inlaw daughter with her artistic talent makes brussel sprouts look awesome. Another can make tired furniture look new even with ongoing construction. Coupling these details with their professional talents make these an extension of their work.
Where is learned the virtue of labor and beauty in the doing? The magic of it all is in the heart. It is approaching the place in mind that says all is play because the body is actualizing the mind’s intent and therein lies the beauty.
Fortunate you are if someone loved you that you with love are remembering and teaching. The memory comes alive at sometime and we pay it forward. Some have not known it but we can be the memory for their future.
A brother and I discussed this and he said sis, you have found the keys of the kingdom, haven’t you? There is no more than this in its deepest. It is all art in the making. My Mentor said that the fields are ready and the call is out for the vineyards. There is virtue in the labor and beauty in the doing.
A Belief System. . . (an excerpt). . .
The answers will be forever hidden in a place no one chooses to look; the hearts and minds of those who love this earth with passion. Surprised they will be to see in the palm of their hand
the keys of the kingdom . . .
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Even unto this day, I am surprised when memory pops up to be dealt with though never a hint as to its depth. Where has it been keeping itself? No doubt in the catacombs along with my ancient self.
It is somewhere in the journals I am sure. I just spent too much energy looking for something that memory will serve just as well. It was a Sunday evening and we had just left an open house affair. It was a holiday affair with decorations still up. It was getting dark and foggy and nothing seemed familiar.
I really don’t know where I am, my mate said. David was in the hospital and soon they would be closing to visitors. Things remained unfamiliar and we were getting anxious. Out of nowhere appeared a vintage vehicle slowing beside us. I remember clearly was that the car was squarely cut like my drawing.
This spare looking man with a spare sounding voice asked need help? My husband answered that we were going to Ford Hospital but we were lost. He seemed to know that and said loudly, follow me. And we did. The vehicle remained in front of us, and in a short time the streets became familiar, lights and all, and we waved to the man with a salute and he saluted back and waved us on.
And with a swerve to heaven knows where, he was gone. Square vehicle and spare man.
In the course of living and learning, one knows when to keep still. There are some things that have no explanation and trying just further complicates relationships. To attempt to explain would need more explanation of what makes you think that and how do you know?
Unless life has been one of sharing thought, some things are better left for self revelation. And in time, all things are revealed.
My Father’s House. . .
I lumber about the edges of my father’s house. The corridors stretch empty before me. Doors stand ajar, impatient for my knock.
Yet I hesitate, for I live in a familiar room, knowing its nooks and my constructed partitions yield only to my touch. I know too, where the edges are not tightly sealed, where winds sneak through disturbing my zeitgeist. I know at what time of day to avoid those edges.
But woolen socks do not a winter break, nor spring tempered by autumn winds. Here in my father’s house are rooms unexplored with answers to questions man dares not ask.
It was promised once that a room would be prepared but went unexplained because the question went unasked. No one wondered how these rooms differed.
Shadows follow, casting patterns similar to our habits, dressed in symbols disguising our thoughts. Furnishing the rooms will be the shapes of our days, colored by glass prisms reflecting us.
The heart’s yearning impresses the mind’s eye and doors swing wide. Worlds spill upon worlds, breathless, intoxicating in their newness. Yet in a moment, their familiarity is viewed with the reaffirming recognition
of our god eyes.
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
It was another December at the end of 1987. I had brought my in law mother back to her residence and she collapsed in bed. She borrowed courage from everyone to get through the holidays in Chicago. We were in a blizzard and I ached to get home. And unpacking I realized I could not leave her in her apartment and the weather worsened and I had noticed cars were not stopping at lights anywhere. I would walk to get her and somehow we would get back here.
We walked the blizzard streets and in great relief she slept upon getting into bed after a hot bath. I wished to stretch out my hand to gain strength but an other already reached for mine. What do people do when there is no one to help? She asked. The best they can Sarah, the best they can I say.
The journal entry continues that December 30, 1987, and I scribed the following, ‘but we sit here and already your mind moves to the grandchild in the crib with not knowing that the son of your heart had already retired for the night in the room. You watched the child in sickness and he watched his mother with her magic chants as they drew from his son the illness causing such heartbreak. You can do it, he was saying, you can do it.
And he was in awe as he watched this atheist profoundly calling on a benign force that would move the sickness from the body of his son. He watched you move those hands in air that was vibrant with the power pouring through you. And he said that this is my mother and this woman I don’t even know.
And he knew that in all that had transpired, in all that he watched, he would take to his writing and pour out what was observed and you think that if not observed, he would have known anyway.
Let the power move through me and make me an instrument of thy peace, he said. Just like her.’
In the morning a wiped out toddler recovered enough to stand and shout his demands to rattle the crib.
I have learned there is an undergirding of our Universes of an ethical premise that supports life and demands of each of us the highest and best we can be. It may be benign but it is a spiritual power we may call God or Allah or Jehovah or Christ or simply Good. It demands that we aspire to our Best. We welcome obstacles before meeting the greatest of our challenges however different for each of us.
I Hear. . .
Look beyond the Light
into the face of the morning sun
to see that the Light beckons and extends. . . .
It would grant you peace
should you let it.
It will grant you life
should you welcome it.
Amen and amen.
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Do I have more minutes to finish? There was no time for answers because the little one with a dash was out of sight. In a few minutes he was back and announced, I finish. Having learned to wait while private things were finished, I waited again while he proceeded to his room.
I followed him shortly to find him in pajamas and ready to crawl into the high bed. Well, should it be a story to tell or a story to read I asked. I am ready for you to choose. Tell me what it is we should do to get you ready for sleep? And I waited. Minutes ticked away while the choice was being made. Patiently, again, what will it be?
His face took on a faraway look as if searching for a memory. I recognized the look and wondered where he would go for that memory to take shape. I knew it well. It was a look that had been on my face many times with voices telling me to stop dreaming. I needed to pay attention to what was at hand and not waste so much time dreaming. So because of those reprimanding voices, I knew to wait.
He asked if I would sing the one I singed when I singed with other voices. He knowed that song! What song is that? I wondered. There was no time for me to sing with other voices that he would have heard.
Like this, he said and in his high soprano he sang his Glllooooorrrrrrriiiiiiiiiaaaa and I knew. Unbelievably I knew. The music hung on his tongue and in his throat as if he were tasting a delicate sweet.
When did you ever hear me sing that? I asked. Before I came to you, he said. Before I came. I heard you singed and my heart singed with you. I knowed I could tell you some time if I just ‘membered it. I promised I would ‘member so I could hear it again and again. I knowed that you would ‘member if I singed it. And you do! he said, you do!
And I believed him because I gave up choir when he was due to be born. I took this child into my arms and sang the song he so wondrously remembered. And when I came to the part he remembered his voice faithfully shadowed mine. And another posit was added to the Memory Bank but who would believe it? Who?????? Except the many someones who entered their place of belief every time they bent their knees.
Those are the who. . . .
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
We are bringing to close another year with what are special gifts. It is the gift of gratitude for life, of a peace not yet finished and a state of mind that is in itself a miracle. These are limited only by focus and not by belief systems. They are adopted in varying degrees by all worlds.
Christmas is a Christian Holyday of great belief. For those of different thought, it is a state of mind as well as a condition and time in the heart and welcomed.
I once wrote that I wondered why as a country we were not loved. And my conclusion was that it was envy. Because people come to our borders together in love even though their roots may be in other countries. And other countries are convinced it will never work. Sometimes it works well and then not but we work harder.
Their children mingle and fall in love and bring children of many colors into our world.
We may not understand nor believe as our neighbors. But we work for their acceptance as we have been accepted. It is a process and a continuing work. We do not let go of this wondrous dream experiment in time called democracy.
And the rest of the world huddles in their winter coats and wonder the stagnation of their breaths.
We are equal to the gift and we will show and live our gratitude in all ways we can.
Because this vehicle I drive for these almost a hundred years has become road weary, I give a rest somewhat and send this card to all of you in this manner.
It is one of my favorites and humbles me in ways that drives me to my knees. We may not be able to share our brothers’ beliefs, but we can hold the candle as he makes his way up. I hold my candle with love.
A blessed holyday in your heart from mine.
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
The missing link for me was during the Clarence Thomas hearings when my sister was visiting and we watched till all hours. I was knitting in the corner and what I heard had me shout what did he say? And she said that Joe Biden said that Man cannot put in what God has left out.
That was the missing link for me in my independent study of why no matter the love involved, unless the footwork has been done, growth is hindered.
Whether the idea of God or Good is Religious, ethical or simply Life enhancement for all alive, it will be the best and highest that you give thought. Your difference will be significant. A belief system worth its salt must be adhered and applied daily because the each has a high system of conduct that whatever you believe gives life to you, has a demand for its understanding that must be adhered to carry you through life. Else you need a support system of at least one to pick up what you cannot.
These past months have brought heartache to many and unrest not to be believed. The Supreme Court’s ruling on Roe v Wade brought many to the frontlines. Memory is still alive for me when decisions were only made with the sayso of husbands. The ability for all to marry whom we wish will be on the line to take away as easily as the 50 years we had as women to make judgments concerning our bodies.
But how to take away memory? What will they do with someone like me? Or the many babies being born with open heads and a foot still in the world from which they come. Dare I write and say that perhaps the gay person has memory of what gender they were apriori? Or maybe they know for sure that what gender they inhabit now is diverse of what and who they are.
The almost 4 year old told this grandmother when she asked if he had a happy time with cousin Maryann. Not Maryann, but Olivia he said. From where? You know grandma, you know, he tiredly said, in that place where we wait to get born.
And the mother of a daughter almost four told me that her daughter said she walks on her toes because she was a dancer before she came to her as a baby.
There must be thought given to what we teach as life everlasting. Perhaps it means exactly that, forever and forever. When we are rested, we take to the road again, forever and forever. There is no resting on a cloud or guitar playing or walking golden streets. There are vineyards needing plowing and planting though there are wine casks when grapes are ready.
I scribed this on May 3rd , 2022 when this was written for the last paragraph. . .( all this has to be done with an eye to the progress society has made and also to what has been an incomplete seal in the human body that has resulted in memory being open to the last gender accommodated by the soul in transit.
Who knows for sure veronica, who knows for sure. And who wants to play god? Who would rather be at home with an open head than to take on a body in society where this kind of behavior has met with such derision for so long? And could only be spoken as an abomination in the old testament as it did by the scribers who had not the centuries of questions plaguing yours.)
art by Claudia Hallissey
Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.