From an Upper Floor

    • Blog Archives
    • Contact Me
    • Kiss The Moon Poetry Drawing
    • Sitemap
Illustration of a bird flying.
  •  

                            THE MOMENT THE STAR FELL          


                         I must call you by name
    that will pull you close to me.
    I’ve searched for something,
    some one word that will torch you
    and bring the inner light to bear.

                          I cannot know my love,
    what name you wore
    when first we saw the bright dawn
    and held hands
    as darkness lulled us deep.

                           But here, this night, my thoughts
                           rove time and space,
         piercing the black sky
    for a memory still shedding sparks.

    What w
    already familiar.  So try that star and this
    and the one shining brightest.
    Love holds court in its light,
    however cold as man thinks,
    however warm as man thinks.

                              I do not know.  I do not know.

          Your memory pulls from night
    its secrets.

    You  will find it shines because I lit it.
    You will find it warm because I am there.
    I see you search the southern sky
                                closest to your bed and against your will,

     

     

                

                        

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • We Are Earth’s Prayer And Benediction

    Over the years I have asked us all to fall in love with our Earth.   Obviously it must have been easy for me because I am still in love with her even though I am ending my earth cycle.  I described it as a oneness,  a union nothing dissolves nor cracks.   It is the steadiness,  the compliance of all things in Nature that yield to a bidding when it is done with love.

    I first wrote I loved working in the yard and having life take on its noble form.   I loved the coming alive,  the rebirthing and the response of the Earth beneath my hands.   It was my love and my pleasure.   The rich, black, early nostalgic smell takes me back to a someplace where I fell in love with it and the first love is always a first love.

    It is a place where the heart knows its completeness in and with the laws of Nature.  We are one and the same.   We become its answer and its prayer,  its meditation and its question,  its benediction.  I become what the seeker chooses to establish when all else fails to come to fruition.   When there is nothing that satisfies the hunger within,  there is always hope and response in the garden.

    It is a communion with its holiness and puts all else to shame because it never measures up.   Relationships may wither and disillusion, but Nature does not.   It gives from an unending source, reaching into its carpetbag and bringing forth bits of revelation and reconciliations to give one another reason for trying.   She lets us know we are stewards and as stewards we have a responsibility,

    The Earth will cherish the soul who cherishes the Earth and Nature will revere the one who reveres Nature.   When knowledge is ours,  when we know who it is we are as we walk this planet,  doubt will no longer allow ignorance to rule.   It is time for us to protect and attend to this most beautiful of all places.   Conscience will deem a return to rectify errors.   And there may very well be ash on our boots the next time and memory may well crucify
    us.

     

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  •  

     

     

     

     

    I was a young girl of 12 and it was our first summer on The Farm and it was a hard one.   But it also was filled with good food straight from the warm earth.  My mother had a talent for growing things in the city despite its polluted air even 70 years ago; people knew it then to be unhealthy.   But in the clear air of the country, in the soil of her loam filled garden, her talents blossomed as did her crops.

    We were getting produce ready for the stand near the road.   As we were preparing the fruits and vegetables, selling them as fast as we put them out, friends from the city were arriving.  They were diverse characters.  Some were people in her circumstances with many children and little money.  A few were wealthy but the outstanding characteristic of all these relationships was mutual respect.

    Toward the late afternoon, I was tired and whiny.   The source of my irritation was the fact that my mother was giving to her friends, without charge, the best and finest of what we were putting out.   A bushel of potatoes here, quarts of strawberries there, a basket of fresh vegetables here.

    But the strawberries were my argument.  I loved them and the ones she grew were the reddest, juiciest and largest I had ever seen.   They were sweet clear through and the dream stuff of that first June on The Farm.  With the heavy cream separated from the rich milk the excellent cows gave, these were mine she was giving away.  The strawberries summed up my resentment.

    ‘You can’t keep giving away our profits!’ I said. ‘You have given away half of all our produce!’

    She turned to me and in a voice I have not forgotten with the lesson that has stayed with me.

    ‘These are mine’, she said.  ‘I will do with them what I please.  These are for me to give away if I want to.  No one can tell me who to give to.  My friends may never do anything for me but if one of them does some thing for my children or my grandchildren,  then that will be payment for  me.’

    I have thought often of that lesson in gift giving, in giving what is yours.  In the course of my days, when someone did something for me I did not expect, there was the lesson in strawberries.  When so much has been done for our children by their friends and ours, the lesson in strawberries comes up.

    When time, whole weekends of time, have been given to sit with a sick child, to listen to an impoverished spirit, to make dinner when the task seems insurmountable and appetite non-existent, to do any of these when time has become our most precious commodity, it is a gift of Spirit.  When a check arrived unexpectedly from someone whose only reason was ‘I remember how I would have felt to have received this’ or the someones who oftentimes helped our children through school because ‘it was done for me.’

    I thought of the lesson in strawberries.

    As I review a life where so much has been done for me and mine, from sources unexpected, I am grateful for the lesson in strawberries.   My mother gave what was hers to give, what she worked for and gave freely.  She was paying it forward long before the idea became novel.  I do not forget.

    When we are asked to pay forward for gifts given and received, we must remember the lesson this lady of ten thousand lions strong leveled me.  As the world works and fights to uphold democracies all over,  we must remember from where most of us come. 

    I see my grandmother in the wrinkled old faces that I find mirrored every day.  With tears pleading simply to go home.  Will I forever see Richard Engel embrace that lined face younger than I am with a history I will never match?  And a devastated country fractured beyond recall surrounding? 

    Let us pay it forward so the children’s children not have to assuage our anguish forever.  Pray let it be so.

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • To Remember is our Liberation. . .I remember once or many times saying that I wish to pick up a book and understand what they were saying.  I wanted wisdom.  I wanted to understand.  I wanted there to be a difference about me that others could see and say she is different.  I am different.  Our words are the same but meanings  others cannot relate to..

    I wanted to shake the world and say, look what is going on.  I want to say look at the heart of the other.  And if you look at the heart of  the other you will see nothing else.   But before you do, you must look at your self.

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • To change history. . .a new path. . .

     

    I had been at sixes and sevens (so to speak) this week.  I should explain that the idiom means things being in great doubt with me.

    The idiom is centuries old coming from (more nearly surmised) the English.  Since I married into an Anglo Saxon Protestant family,  I was introduced to what were strange customs for me.  And this idiom was one of puzzling language.

    Since being just twenty, eager to please, I learned quickly, both joyfully and askance sometimes.

    Leading me to conclude at almost a decade less than a century, that for peace to ensue among men of diversity, those things which unify us as a species should be taught in all schools along with the differences in cultures.

    It seems the differences in worlds (and words) and we are just one of many, are prime fodder for simmering anguish.

    How we are united in so many ways fade in many minds while the differences sadly become up front.  And the differences wielded so well are the fears quietly smoldering unknown even to the holder but when given voice turn to rage.

    Tyrants live in various houses and use their tools so wisely they leave Heaven aghast as to the hurt that is done.  Tyrants need not use hostility.  They need not use weapons which destroy anything but self-esteem.

    And many are they who use their own neglected self esteem to drain the other of pity and sympathy and strength.  And because the tyrants feel

    To change history. . .a new path. . .

     

    I had been at sixes and sevens (so to speak) this week.  I should explain that the idiom means things being in great doubt with me.

    The idiom is centuries old coming from (more nearly surmised) the English.  Since I married into an Anglo Saxon Protestant family,  I was introduced to what were strange customs for me.  And this idiom was one of puzzling language.

    Since being just twenty, eager to please, I learned quickly, both joyfully and askance sometimes.

    Leading me to conclude at almost a decade less than a century, that for peace to ensue among men of diversity, those things which unify us as a species should be taught in all schools along with the differences in cultures.

    It seems the differences in worlds (and words) and we are just one of many, are prime fodder for simmering anguish.

    How we are united in so many ways fade in many minds while the differences sadly become up front.  And the differences wielded so well are the fears quietly smoldering unknown even to the holder but when given voice turn to rage.

    Tyrants live in various houses and use their tools so wisely they leave Heaven aghast as to the hurt that is done.  Tyrants need not use hostility.  They need not use weapons which destroy anything but self-esteem.

    And many are they who use their own neglected self esteem to drain the other of pity and sympathy and strength.  And because the tyrants feel

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • For Sitting On The Porch. . .

    It is a night
    for sitting on the porch.
    The night is soft
    and there is a breeze about.
    Soft.  A love night. . .
    How could it be better?

    Only to share with an Other
    whose eyes see as mine do;
    the shapes of the trees
    against the darkening sky.
    The maples are round
    like balloons;
    the irregular Tamarac
    whose wispy needles
    look like bare branches.

    The feel of the night
    like a caress,
    a loving touch,
    a whisper.

    I was the night  and all of my Self  in it.

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • For Sitting On The Porch. . .

     

     

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • As I See It. . . .

    As I See It. . . .
    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • as i see it

    November 22, 2025
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
←Previous Page
1 … 4 5 6 7 8 … 134
Next Page→

From an Upper Floor

Proudly powered by WordPress