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Illustration of a bird flying.
  • We Come With Love

    IMG_20140408_153830_460Can we go to the lady who likes blue cloths, the young one asked.   And I was taken by surprise as to why he wanted to go.   I asked him why and he looked at me and said because she know-ed things and I want to ask her some questions about stuffs.   And I asked him what kind of questions.

    And he looked at me and said, you know, you know.   But I don’t I said and waited.   It is always good to wait.   But there was nothing coming so I asked again why?   And he said that she knows things and she like the blue cloths and those are special.   Why are they special, I asked.   And he said becauuuuusseeee. . . they just are!  Can we go?

    And I said get your things.   He was quiet while we were getting there but when we came to the shop he sat still for a minute.   You not mind if we just talk about private things, he asked.   I said,  it was all right with me.   May I listen?   I want you to he said.

    We were greeted warmly by the lady of blue cloths and the younger wrapped his arms around her waist.   Good to see you again, she said.   I saw-ed you last night, he said, and you said it was always good to ‘member where you come from.  I think hard all night and I ‘member , he said.  I ‘member.   And I ‘membered you because you teach-ed me about not being ‘fraid of stuffs.  And I know-ed what you said and I know-ed where you were with the blue cloths.  You ‘member where you come from?

    Yes,  she said,  I do.   It is a place of great feeling, love that is bigger than anything we know.  It is like a big ocean of love spilling over us and there is nothing to be afraid of.  We can touch this love with our hands and hold it in our arms.   And it will hug us back.   What do you remember?

    That is what I ‘member,  he said.   And that is why I not ‘fraid.   I ‘membered and then forgot and I know-ed you would know.   Can I come back and ask again what I forget?  Always, she said,  always come back.

    He reached for my hand and I nodded to her.   I not ‘fraid now I ‘member.   We come wit’ love and go to love, too.   Yessssss,  I said and squeezed his hand.

    click on the blue cloth to magnify

    April 9, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • One Pilgrim’s Journey

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    One Pilgrim’s Journey

    In my early years on this pilgrim’s journey,   I would awaken and think through the night’s lessons and get my marching orders for the day.   They were equally important.  One morning though the conclusion was that it truly was a world without end.  But world without end has a magnitude about it that I am now understanding.   I have long said that we go to where we belong;  earned the right to be where the patterns of our days prepared us.  It truly is a universe of no retire.   If gravity and its inhabitants have worn us to a frazzle,  there will be rest,  but there is the new address awaiting.

    These worlds do exist.  In this particular world only five senses are used to inhabit it.   But there are other aspects of Being which are not yet ours.   Some people have extra senses that piggy backed on the ones most of us inherit.  There are no skipped grades in any world.  What is ours to do may be different than what the next person has to do,  but there is graduation for all of us.  No need to worry about early exits either.   What is not learned once will be given other chances.  It behooves all of us to learn what we must wherever we are.   The next time may not be as agreeable nor as conducive to easy learning as this Earth is.  And we are held accountable.

    Some of us are obsessed with questions others do not give thought to.   They come with faith in their carpetbag.   Faith of necessity is blind otherwise it would not be faith.   Questions would only complicate an already complicated life for some souls.  Whatever framework we have chosen for this world grants us what is necessary to work life through.  But within each rises the question which will turn the individual to the opening of the treasure chest within.   He/She has the key to open it.  And it is the word ‘why?’   That word,’why?’ either starts or closes the journey.

    We have our camouflage systems worked out beautifully.   We construct our walls in the mind and do not allow anything disturbing to enter.  Occasionally a crack will appear and we will scurry for the emotional plaster or caulking to seal it.  The one who can no longer pretend the pieces fit the puzzle will begin the process of discovery and his/her journey begins.   They will hear ‘you have to be crazy to do this to yourself’  but they are crazy like a fox.

    The roar you hear will be the heaven’s rejoicing that they have ‘a live one’  down there!   Let it be you.

    April 8, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Worth Thinking About

    DSC_2922Worth Thinking About

    Knowing what to say is a social skill.   Meaning what you say takes the form of action in the heart.

    Sometimes our heads understand what our hearts cannot.

    Do what the heart requires and not what vanity insists.

    The heart is the organ of redemption.

    With love,  the heart salves the wounds of the world.

    The psyche of man is healed by the heart.

    Who can say that to be a butterfly is unfair?  Who would not rather be a butterfly than a caterpillar?

    Death continues to be creative and teeming with energy.  We view the absence and cannot see the transformation.

    We are as alive or dead as we ever will be.

    There are times when friends reach out to touch the fear in us and lay grace to it.

    artwork by Claudia Hallissey

    April 5, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • A Validity

    IMG_20140402_182216_046(1)A Validity

    Stressed beyond belief,
    my heart wanders in worlds
    unseen by human eye,
    not felt by human touch,
    but altogether real.

    Mountains are climbed
    where dizzying heights
    force vision beyond normal scope,
    chancing accidents not plausible
    but valid.

    It is my guess that distance
    is traversed on foot
    through lands uncharted
    and my footprints left on another heart.

    How do I know this?
    There are stretch marks on my heart
    I cannot remember this life admitting.
    There are headaches piercing a memory
    nowhere given time.
    There is heartburn a love
    would not allow.
    And there are dreams connecting
    a time and space
    as vivid as this reality we claim.

    But all for naught?
    I say not.

    For when the heartburn
    cannot be touched by any antacid
    and headaches cease,
    when memory is identified,
    when life admits the stretch marks
    and heart cannot allow another footprint
    and when the new country becomes
    a sweet focus,

    we know the night is finished.

    April 2, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The Jockey

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    In a square inch of soil we were told you will find all the history pertinent to your time and all you need to know in this world concerning all you need to know.   We laughed at the old Teacher and labeled him The Jockey because he was on our backs all the time.  We may have laughed but I for one was out in the hot sun for hours.  As the years took me,  I often thought of the old Teacher and what he tried to teach.  He was an influence in my life in every segment teaching.

    How could such a statement have any meaning in this day of technology and economic problems?  How could studying a square inch of soil put me in touch with my roots, with my humanity,  with my self?  I knew my classmates gave more thought to this than they were ready to admit.

    Hours spent on hands and knees looking at the lifted square inch wondering how it would answer the questions harbored.  I stared at it and saw nothing but cut off roots.   But on further study  ants appeared with root hairs snaking through.  Questions formed and I wondered out loud if perhaps in Egypt was the same composition?  At some Oasis?   Or was the grass just our hybrid, but might grow elsewhere with root transplanted along with what it was fed,  somewhat like a belief system?  Certain foods,  rituals and customs practiced and honored?

    Was this the soil of my childhood and my ancestors?  What were the practices and procedures then?  Transplanted would their grasses grow where I was rooted.?  Would I have difficulty being transplanted with new roots and customs?  One question fed another.   And soon with thoughts of more root systems dusk was near with a chill in the air.   I replaced the soil as we had been taught and looked to the night with a new moon arising.

    I was very young then but I continued the practice of going out to the fields.  With insatiable curiosity that the Jockey had instilled,  I was  learning new life forms and rituals  which were not only interesting but necessary if peace was to be a fact.  This kernel of knowledge fed not only me but my children also.    When curiosity about the outside world exploded in their lives,  fields became our private yards and weeds noticed and their history unearthed.   Their possibilities were endlessly discussed and often ended up as table decoration.

    This led to the study of June bugs and fireflies and how many were needed in a mason jar to read by?  Seeds were planted,  grasses sown and nurtured.  Big and little dippers were sought nightly and moon phases studied.

    Root systems, cultures, ancestry all with histories uncovered.   Leading toward philosophies studied,  literature dissected with humanity’s progress followed through baseball statistics, and runners still carrying the message to Garcia.

    We pick up smooth stones to find our names on them.  They too have life in slow vibration for ears attuned to them.   Climate changes are our concern with glaciers melting where they should not,  rubber trees no longer grow and some species of birds no longer fly.  The world is our classroom and those unborn our concern.

    It is said that when the student is ready the Teacher appears. It is often when we need that one the most to change our lives forever.    My hope is for everyone to have the Jockey who will give that pertinent point to start the journey from even one square inch of soil.   To awaken the questing mind that keeps the curious mind alive.   I was fortunate to have a Teacher who considered his life’s work sacred.   And when I see a child with a scoop of soil and studying it carefully,  I know that child has been truly gifted.

    Art by Claudia Hallissey

    March 30, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The Memory Makers

    DSC_2923

    The Memory Makers

    The smell of the damp morning
    kindled memories of earth mold,
    as she fetched the wood
    and stirred the fire anew.

    Warmth crept into the chill room
    as ghosts of Springs past kept watch
    and in unison nodded approval
    to make waves on the still-born  ethers.

    The children slept;
    their various ages revealed
    by the length of their slumbers.
    Each in his turn made thanks
    in silent novenas to the Memory Maker.

    Her precise movements
    were liturgical practises
    in acknowledgement of their presence.
    They were easy to love.

    The fire spit;
    the fresh ham already
    sent its perfume through rooms
    with closed doors.
    The sleeping children
    stirred in deep recollection
    of some thing long ago enacted.
    They would soon rise and
    rub sleep out of granular lids
    and bid the good morning.

    And she, with her own
    Recollection of Remembrances,
    would nod in tribute
    to the Lords of Memories
    who discount arthritic knees

    to press on each generation of Memory Makers.

    Artwork by Claudia Hallissey

    March 26, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Come To My Table

    DSC_2912This poem was written a year ago and was received  with such warmth.  Much has happened in the past year to all of us.   Memories rise unbidden sometimes,  but needing affirmation.   So we affirm them and ourselves;  along with the memories welcome
    and again. . . . . .

    Come To My Table

    Come to my table
    and sit awhile
    and I will tell you tales
    of years gone by,
    attended by loves and those
    who held magic in their hands.

    We have supped
    and laughed and cried some
    but mostly told the tales
    that love spun out of gold.
    It was a rich time;
    not the coin of the day
    but the values in the hearts
    of those who dined.

    It was magic
    that threaded us together
    through the years to find us
    all at the same place, entwined.
    But the love and the magic
    may have been one and the same.

    Do you think?

    March 26, 2013
    Art by Claudia Hallissey

    March 23, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • We Lift Our Heads

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    We Lift Our Heads

    We lift our heads
    as we face our Source.
    We  give thanks
    for these gifts
    beginning our day;
    a body without pain
    and a mind clear and receptive;
    a heart that beats steadily
    and ears that hear clearly.

    For these gifts we are grateful.
    Open us and allow not
    one bird to miss our thank you
    for his song and allow not
    the breeze to be without
    gratitude for its breath.

    Take this day
    and use us for Thy purpose,
    for we will be at a loss
    when time in space
    cannot be breached by thought
    and the abyss
    cannot be spanned by a leap.
    Let our thoughts be more than a footnote
    in the story of this day

            and our lives lived with compassion.    We ask.

     

    Photo by John Hallissey
    click on photo to magnify

    March 20, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • C’est Moi, It is I. . . .

    Icicles on treesThe underlying factor in these universes is that there is an ethically divine purpose to do good.  We have to because we are born to.  Which is why we clean our doorstep and sweep our sidewalks.  Even if those sidewalks are dirt.  Why we wash our clothes and wash our bodies, even if the wash tub is a creek or a river or a bucket.   We look out for our neighbors and love each other because we are brothers.   We ask to be born because we want to make a difference that counts.

    We were told that whatever is loosed on earth is also loosed in heaven and we are the reflection of what is loosed in heaven.  In metaphysical, (meaning physical and cosmic) language and circles, we learn as above so below.

    It is to be remembered that the underlying principle of these worlds, of these universes,  the overwhelming ethical premise underlying all worlds is to do good.  No matter the world or planets, it simply Is.  Every thought, every action,  must, must be pulled through our hearts.   The habits of our days shape us into who and what we are.   When our name is called we go to the world our actions and thoughts have prepared us for.   It has ever been thus.

    There will be those waiting for us and they will pull us across as we shout,  c’est moi,  it is I.   Will the song of our days be a beautiful song?   Our melody will linger long so let us not be afraid and work in harmony.

    March 18, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • We Are Farmers

    DSC_2903

    These barns are good. . . .

    good for carrying on important business,

    good for storing things,

    good for being the fragrant strongbox

    of our memories. . . .

    places where we played,

    growing up forever.

                                              Tresy

     

     

     

    (Our first born son,  whom we call Tresy,  has given me permission to reprint a card sent to us.   He is the true poet in the family.   A photo of a barn on the card had me ferreting out materials for the wall hanging.   The trips back to The Farm when they were young had them thinking they were Farmers at heart.   And we are.  Whenever we feed body or soul of an Other,  actually or by example,  we are Farmers.)

    March 15, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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