From an Upper Floor

The Wall Of Night. . .

Nothing To See. . .

You dropped a kiss
on the top of my head
as you headed out the door.

I wanted to hold onto
what the night had brought
and the morning promised. . .

Too late, I think,
another chance missed,
to gather to ourselves

what time would bring
in another lifetime with
unwelcome surprises.

And with no knowledge ever
of how it all came to be. . .
How could you not see

what was written indelibly
on the wall of night?
I know, I know.

There was nothing to see. Nothing.

photo by John Holmes

March 24, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Sweet The Arrival. . .

The Necessary Journey

Breath was taken as wind
whipped itself to a literal frenzy
and the waters ripped
the edges of shore.

The moss flew at right angles
from the branches of the Spanish Oaks. . .
so beautiful the eyes
could only tear with awe.

The girth of the trees no tape could measure.
They bowed with the weight of centuries.
How else to say that the need to know
was brought home, except

to drop the knees and fret the cold ground.
The road did not matter anymore
nor the bulrushes scythed
to make room for foot to transgress.

Small difference the way or means
but necessary the journey.
So sweet the arrival.
But why we lost the knowledge

that was ours to begin with and why
the unbelief in who we were?
Who stole our basic goodness,
stripped our decency?

They who took advantage of our innocence
and we who did not question will be held accountable.

photo by John Hallissey

March 21, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Toward Greater Life. . . .

Come Dance. . .

As children we are taught that unless it can be touched, or tasted, or weighed or measured in some way and above all, tested in a laboratory, then it isn’t real; it is imagination. And yet to dismiss the emotion that has our heart and mind expanding to give us a larger view of a reality that physical life does not include, is to cheat ourselves. It is this expanded view that shapes our lives to become better in ways that cannot be measured but can be seen and felt and integrated. To say that a glimpse has been given, or the veil has shifted, is to say there is a larger reality in which we participate that the physical world cannot include. It cannot because it is a reality with different accents in a language to be understood by the who I AM. And that I AM or ME is the divine self within. This divine self is what allows us to become one with all of life, the visible and the invisible. It is our door to a larger reality. It is what allows me to blend with the where of where I am and hear your angst in the unspoken pause in our silent conversation. We must remember that the word imagination comes from the word image and image has an icon in memory. And even the toddler in today’s world knows his icons.

Toward Greater Life

The heart searches parameters
for openings unto worlds
not torn by those intent
on limiting knowledge. . .

always searching
for those to willingly embrace
the differences challenging
the hesitant heart. . .

We look toward the union
of heart and mind
with the litigious veins
of knowledge, pushing like sludge
thickly through rock. . .

eager to consign edges
toward greater life. . .
knowing always the
least demanding would be
the most sought for.
Even the tardy would give
evolution a jump start.

Never insulting the slower envoy,
always grateful for the god participants,
the larger reality scoops forever
the narrow focus. . .

giving eternity’s starters new life and hope.

March 18, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
I Am The Tree. . . .

I Am The Tree. . .

In man’s history, there was a time when his consciousness with Nature melded. Man did not look upon Nature as object to be observed, outside of himself, but was at one with it. It would be saying ‘I am the breath that blows through the trees and wind we am’ and ‘man is sitting in the shade of the tree that he is.’ Man’s consciousness blended easily with Nature’s because of mutual perspective and love. It was only when man pursued different paths that his perspective changed and he began to objectify things outside of himself and objectified himself. It was a long process but he burglarized his own house. By taking or shaking himself loose from his grounding, he lost much and man then had to learn to communicate what before was emotional and tactile and needed no spoken language.

Over the years, in my independent study program, I wrote much from a depth I barely understood. As I read over my work of early years and see where the road has taken me, there is a knowledge inborn that has directed me. I read now with understanding and have explanations that I did not have the courage nor the vocabulary to explain. In revisiting a book by Jane Roberts, like visiting an old friend, I was prompted to search out the following poem, written too many years ago to count. Only to find that its explanation would now be found in a quantum physics book in libraries. The poem explains my connection with our beautiful planet and the history from which we come. Pause a moment to pursue it.

I Am The Tree

I am the tree. My arms are haven for life
nestling in the curvature of my spine.
My leaves filter the sun and allow
cool breath to creatures needing relief
from sun too long hot.

I nourish the ground with leaves falling
and fermenting and present the world
to my constituents with my needles
during the hard cold. I grace the landscape
and ease tired eyes too long squinting.

I am the stones of the Earth.
Beneath me I protect life finding a home
in the dampness for which they were made.
I carry vestiges of all life in my veins
to be read by eyes destined to see them.

I am the Earth, the planet, housing dreams
designed by man, elusive and real,
fragile yet strong. I bring forth life
hidden in the conforms of my arms,
spaced in the reality of mind
and spilling from my heart.

I am the all that is.

March 15, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
There Are No Words. . . .

There Are No Words

There are no words
in this limiting lexicon
to tell of the place
where heart proceeds
to the precipice to touch
the face of eternity.

To tell of the unsteady stance
ready to drop the knees
at the altar of worlds
begging for recognition.

This they say, these giant oaks
in their flowing manes of moss,
straight out in glory
to the Great God.

This, they say, is the veil
that I tore away
to glimpse, simply glimpse
the other side
from where I stand.

No need ever to remember
how I arrived,
through bulrushes and
septic pools of detritus
to find this oasis
in a dry desert of mind.

Simply to arrive,
unbalanced on quivering legs,
at this great altar,
too late, but never too soon. . .

always on time.

photo by
John Hallissey

March 13, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
The Night Before We Put Beau Down. . .

As family members separate to find their independence, or to find work in a mobile society, the premises from which these souls wander still requires a caretaker. We found in our domesticated animals an adaptability to our need for companionship when these members left. These sweet creatures become part of the family. For those who knew us when Beau and his buddy walked about town, it is with a grateful heart I say thank you to him who was part of our family for over a dozen years. This is for you, Beau, salut!

The Night Before We Put Beau Down. . .

He never betrayed
a belief system,
nor a confidence,
nor a value held tightly.

Yet today I see his legs
outstretched, uncomplaining
but with a distant look
not focused on me.

He has been leaning
a lot on me.
He speaks a language
signaling a departure
to which I have agreed.

It is time.
Body functions once dependable
now are a puzzlement
and my inabilities
loom as large as his.

We have been saying our goodbyes.
Like his predecessor,
he chose me by sitting
wet and sloppy on my foot.

Now I hold his years
of memories tenderly and
am grateful our lives were made
more compassionate and loving
by his obvious joy in our presence.

By loving us he made us all better people.

photo by
Joseph Hallissey Sr.

March 11, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Sweet Morpheus. . .

In reading today’s post of Maria Wulf’s fullmoonfiberart.com she talked of dreams and how one does not question the dream nor truly its significance. Or one’s presence in it. It brought to mind my own questions during my life’s journey at about the same age as Maria and a poem I have not thought of in years. Only one of the many questions but it brought up a smile thinking that we all are much more similar, one to the other, than we are different. I wish we as a world would learn this important maxim. We could prove to be helpful to one another. Imagine that!

Sweet Morpheus

Ah, sweet Morpheus,
I succumb to you as a babe
to its mother’s breast
and find in you a reality
that does not dispossess.

I walk through castles,
intermittently lost and found.
I am absorbed into a role
playing the part to perfection.
Words are given and mouthed
with a depth that defies understanding.

I move in sequence,
first here, then there,
placed by unseen forces.
Now walking, now running,
intent only on the play’s performance.
Direction matters not
nor the dream’s significance.
Reality only intensifies
the immediate action
in its precision.

Now fluid in movement, I race,
grateful as a young gazelle,
intent on bounding miles.
Always closer, never quite grasping,
the mind’s chameleon concepts.

Now congealing lethargy
finds me in the dream’s spent passion.
Evicted once again
and pushed back to the realities,
nay illusion,
from which I had escaped.
Hungering, I prod
the mind unsuccessfully,
willing myself into the somnolence
from which the dream took form.

Sufficient in its designated duration,
the dream eludes my persistent pursuit.
Elusive, challenging, tempting,
always wondering why in sleep
I question not the dream’s reality

nor mine.

Painting by
Claudia Hallissey

March 9, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
Mother God, Father God. . . .

Mother God, Father God. . .

We sit side by side,
shoulders hunched
toward each other,

stealing glances
like children do
looking for approval.

Mother God, Father God,
love me they say.
I am good. I try.

And they grow up
and away
looking at reflections

of their faces, so much like us.
I steal a glance like them
and touch your shoulder to say,

I did good? I tried.

March 8, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
I Break Bread. . .

I Break Bread

I break bread
with these my brothers
deep into who we are
and what we have been. . . .

Not much, I hear,
but the faith is dear,
held tight to the heart.
For free it never was.

But come. It is time now,
again to break bread.
It will be for another time
in a place of our choosing.

The lives we lived
were hard won and
our work became our play.
Knowledge brought us close

to who we are and
never the choice so easy.
It came with good grace
simply because of

the gods who chose to come with us.

March 6, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
At The Gates. . .

At The Gates

They stood as Amazons,
great and glorious
in their largess,
in their girth. . .

With moss flowing
horizontally from their branches,
thick as trees themselves.
These Spanish Oaks
stood their stance,
worshiping at the shores
of the waters
whipped to a froth. . .

Their centuries told
of standing at the gates
waiting for me, they said.
They knew there would
be a one who recognized
who they were.

Apostles at the gate,
they waited for centuries
for me to come
and kneel at the altar
of what they guarded. . .

and the way to here
was as nothing, but
the here is what is gold.
Many paths, many ways,
times innumerable,
but the rainbows end
held the glory.

With nothing to pretend
the answer, the life lived
as if the hope is inevitable.
To find it was always so.

The unearthing is the joy.

Photo by John Hallissey

March 3, 2016

Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.