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Illustration of a bird flying.
  • Someone Has To Do The Plowing. . . .

    Exhibition

    Hope

    And hope is the drug, the elixir, the stimulant,
    the narcotic, the life saver, the god.

    That tomorrow will be better,
    that there will be a rainbow,
    that the snows will come and cover the door,
    that the rains will come and relieve the parched ground,
    that the vineyards will be planted,
    that love will walk in the door.

    That the healing will come,
    that death will be avoided,
    that life will be everlasting and
    the messiah is on the horizon.
    That peace will be ours,
    that brotherhood is a done deal,
    that there will be sufficient food to feed the world
    and eternally we will rest in the bosom.

    These are the dreams, the hopes,
    the desires, the opiates of this world.
    And perhaps other worlds.
    There is always that to consider.

    The Master calls for workers
    and the vineyards must wait.
    I bless, for I have work yet to do.

    Someone has to do the plowing..

    photo by
    Joe Hallissey Sr.

    October 18, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The Laws of Compensation. . .

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    Too late I learn
    life holds the sharpest knife.
    Cutting the loaf accordingly
    and with compassion

    passes the butter.

    The Laws of Compensation do prevail and it is a lesson most do not like to think about.  Retribution for whatever deeds is a commonplace happening but there will always be those who think the die is not cast by them.  That the intricacies of complex living seem too diverse and too extraordinary casts the attitude that all is coincidence.  But it is not.  It is not.

    For every action there is an inaction and a reaction.  Which are one and the same.  An inaction is a decided action in zeroes.  For this there will always be the game of chance being played and the players think they will escape the consequences.  But in time, their time, there is a reactive legislation that prevails.  And no thing goes forgotten.

    It is written in the wind, so to speak.  And Nature will have her day.  Always.  Life will have its totality.  Always.  What is sown is also reaped.  People understand this only in the most banal terms.  But all those precepts are ideas of long standing and have come to their own fruition. Listen well to them.  Cliches are true and have a substance leaking energies which do not dissipate until satisfied.

    photo by
    John Hallissey

    October 16, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Bless The Experience. . .

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    I needed the lesson and this blessed essay was a given.  It has found readers needing the comfort and direction as I did and that I can share this again  and bring comfort to others is where the blessing continues to be given.  We can remember the pain of the negative experience but we no longer need feel the impact.  It is blunted in time.  But not to hang onto it is what is important.  One cannot help remembering the injury but one need not feel the pain each time.  Time helps with that.

    Bless The Experience

    I learned something today.  I learned to ‘bless
    the experience’.  For if the experience has been
    a negative one, has left me with a hurt so deep,
    has filled me with anger, then I must bless it.
    For in the blessing I remove its power to hurt
    me again.  I leave it impotent, unable.  I’ve
    taken the wind  out of its sails and there it sits,
    blessed for the teaching, but unable to wield
    power over me again.

    If the experience is a positive one, I bless it.
    In like manner, it will remain powerful and
    upon recall, able to confer its goodness time
    and again.  In my thinking  happily on it, I
    will automatically bless it again.

    Life is a blessed experience, all of it.  Bless
    it generously and gratefully.  It teaches us
    magnificently and impartially.  These are the
    magic words.  For in the unhappy experience
    we are taught swiftly and surely and must
    bless the lesson.  In the happier one our
    pleasurable memory is our reward.  In blessing
    all of it, we make our truce with life and secure
    our place in it forever.

     

    October 13, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • How To Do It. . . .

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    You ask. . .

    On focusing, your thoughts, your words. . .
    how do you do it?

    I say. . .

    I barrel down into my center and listen
    with my inner ear and hear what my heart says.
    It is within me that I have my world.
    This is what and where I am at home.
    And this is not something that can
    be taught.  It is how the twig is bent.
    And what world we appear in is where
    we do our work.

    You say. .

    You listen to your heart.
    How does a heart speak?

    I say. . .

    there is a murmur within that tells
    you things and it is with the heart
    that one moves.  The heart is the
    largest area of emotional and profound
    truth.  I can see where the child
    who is maimed right from the beginning
    and embarrassed because of his openness,
    can dismiss this avenue and close it up.

    And the world suffers and evolution
    is held up and we have one who is in trouble.
    It is always the children with me.
    I would protect them.  The sophisticates
    I would tongue lash and say grow up.
    Stop using childish tactics to be cute.
    When you have an old face and
    childish mannerisms, you are not cute.

    Cute is for under 5 years old.

    Artwork by
    Claudia Hallissey

    October 12, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • After The Storm. . .

    photo (5)

    To those who have inquired and wondered how we have weathered Hurricane Matthew,  we did well.  The Refuge behind us soaked up water as it was designed to do and our home withstood the elements handily.  Thank you for your concern and this hurricane will do nicely for the rest of my days.  Uneventful is what I anticipate and appreciate in my mid eighties.  Thank you very much.  The following are some of the sparklers in my thinking.

     *****

    Man can strike the essence of what is wrong in an area the heavens cannot.

    *****

    Man must process an enormous amount of garbage in the place where integration of the human is of vital interest.

    *****

    The sounds of mortal life cut deeply and quickly and with great pain to those who have ears to hear.

    *****

    It is always more enlightening to apply criticism of an Other’s behavior to oneself.

    *****

    Rehearsed rhetoric is a game to use for one’s own justification.

    *****

    Humanity’s progress comes quarter inch by quarter inch.

     *****

    Mass evolution is an oxymoron, a contradiction in terms; never a fact and never a reality.

    October 8, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • In Being A Child. . . .

    FullSizeRenderThe Importance of Differences. . .

    If it seems that I persist in speaking of differences in perspective, it is because that is what makes us unique,  it is because of my intense desire to keep our planet alive and this classroom operative for those already here and those yet to come, who desire to make a difference.  Children are our hope that any differences can be effective in making this the best of all learning places.

    In one of Doris Lessing’s Shikasta series,  the  2 percent difference the woman speaks of to the psychiatrist is a big difference when the issue is quality of thought.  And the 2 percent in the quality of thought puts both people,  the speaker and the listener in different countries and maybe in different worlds though they be side by side.  So I wish to bring up the difference again and as little as a breath separates our thoughts.  Evolution?  How long does it take?  Look about our world.  Look into the eyes of children today and you could see angels walking into your heart.  Beautiful and innocent and smart.  And if someone does not step on their heads they will be able to come to you one day and say we know who you are.  You are the safe one.  You are the haven they require if the world is to progress and they are to contribute.

    In Being A Child

    They would say of us
    we had no sense of style,
    for we dressed in faded clothes
    long after they were carried
    out of the store.

    We put on caps knitted
    by loving hands and pulled
    over ears fearing frostbite.
    We carried walking sticks
    and gently jiggled loose piles of leaves
    to shunt the mice out of roosts
    buried deep.

    Great fun we thought.
    We tenderly picked the twigs
    with berries loosely held
    to decorate wax covered driftwood,
    simulating snow for centerpieces.

    We opened books and closed books
    and talked of what was
    remembered from other times.
    They call it hands on this day
    in the language of those privileged
    in private schools.

    The less fortunate might one day
    have a field trip in search of natural life
    in an open field.  We called it
    all in a day’s work

    in being a child.

    Painting by
    Claudia Hallissey

    October 2, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Savor The Minute. . .

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    Savor The Minute. . .

    Could we take the time
    to savor this minute?
    Hold it close?

    There will be
    more minutes, but none
    more special than this one.

    It tells me that
    you treasure our friendship,
    to show our true feelings

    that connect us,
    one to the other.
    I will remember

    the marks on my life
    you put there when
    you took the time to rescue

    the self I thought I lost.
    Today I am whole.
    Forever drawn as a heart

    beating steadily as
    with an inserted pacemaker

    but with gratitude transcending its beat.

    September 30, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Her Voice Will Be Heard. . .

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    I had intended to do a post on my blog this morning but after reading Maria Wulf’s post this morning on her blog, http://www.fullmoonfiberart.com I am giving her space because her essay is well written and pertinent to our time.  For those women who are of recent years and have had no experience with sexism I can only say how fortunate you are.  But for those of us  especially of vintage years who were brought up with mothers who were revered because of the number of sons they bore and dismissed the daughters born by them,  this essay speaks loudly and with despairing truthfulness.

    That the old boys’ network flourished during my lifetime is without question.  That there were those few whose self esteem would not allow this subjugation was apparent and envied. But that the old thinking is still prevalent even in the present generation of women is appalling.   The following incident happened in the emergency room of a local clinic where I waited with a relative.  A young girl of ten or eleven was in tears waiting to have a cast put on her broken leg.  A boy had tripped her she was telling the nurse.  Oh, the nurse said, he must really like you.  He would not have tripped you if he did not like you!   Before I could gather my wits about me, she was wheeled out and I have regretted not following up with names.  Any wonder that persons of abusive behavior feel at fault?

    Please read Maria’s  http://fullmoonfiberart.comAt least half of the world can relate to this essay.

     

     

    Photo by
    Jody Simons

    September 28, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The All is Essence. . .

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    Prayer To The Essence of The Great God

    To the essence of the great and holy god,
    we offer ourselves in our bounty and
    in our sorrows.  We ask that we be
    allowed to enter with all that we are
    and all we hope we can be.

    Let us lift our heads
    to the glories of the day and
    allow us always to see
    the brightness that surrounds us.
    Ask us  in our gratitude
    that we look to serve those
    less fortunate while always seeing
    to those to whom we are committed.

    Let us be wise in our choices
    and sensitive in our feelings.
    We ask in times of need and
    in times of great gratitude
    that we neglect no one in our care.

    In all names we ask and
    in all names we wholly, holy, blend.
    Take us as we are,

    for we are on our knees.  Amen and amen.

    photo by
    John Holmes

    September 25, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • In These Sweet Hours. . .

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    I was born a person whose breath weaves its own magic during the night hours.  When the world goes to sleep where I am,  my eyes widen to embark on their own journey.  Those sweet hours of the morning I have seen all the days of my life and have found thoughts traveling at a swift pace to their mark. When darkness appears, the air becomes electric with its own energy and the full symphony begins.

    In These Sweet Hours. . .

    In these sweet hours of the morning,
    I sit in this chair, borrowed
    from another room, where old bones
    had not yet broken it in;  missing
    the familiar one,  much loved
    but grown musty.

    Like me, I think, old and with thoughts
    well worn but suitable for the mind
    habiting them.  They’ve stood
    the test of years that proved their mettle.

    They’ve worn their courage
    to the extreme and now will go
    into the pages and take their place
    as reference to a time long gone
    but stable.  These thoughts worked.

    They upheld customs and behaviors
    and civilizations.  And families when they
    could have crumbled never to be restored.
    But when hand crafted was
    a work of pride, so was the work of the mind. . .

    stored now like vintage wine.

    September 22, 2016
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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