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Illustration of a bird flying.
  • The Chime Clock

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    The Chime Clock

    It is far past the hour
    when the bell chimes
    and I know when the hour
    will strike again.

    Many times we’ve heard
    the bell strike our time
    only to ignore the possibility
    of a door opening.

    We think it closes
    forever on us,
    yet the motive for its closure
    is to ensure its opening.

    Perhaps on a possibility
    not thought of
    or perhaps not ours before
    this particular chime

    declares us to our world and time.

    Photo by Joshua Hallissey

    October 20, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Thoughts Enroute

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    Thoughts Enroute

    The cliché ‘I am only human’ is a self qualifier and an excuse in case of failure.

    Reverse psychology would have humans admitting their divine self and then the Heavens would have reason to shout, ‘Prove it!’ We then might not fall so squarely on our ethics.

    The only tool necessary in physical life is a shovel. We should be born with one attached to our navel.

    That the sun will rise in the morning is not the miracle. But that our eyes open to view it, is.

    The wonder of life is that there is as much agreement as there is without constant collision of realities.

    When our journey is completed we will not be asked what did you do but what did you think?

    Thinking is an art form.

    To connect the dots and worry is advanced thinking. Not everyone is equipped to do it. In fact the worrier is criticized as not having faith. The truth is that the worrier has knowledge.

    The amount of energy we endow our illusions will determine their reality.

    It does no good to see all sides of an issue when the heart is concerned with only one side.

    We may not have signed up for the class, but it seems the obstacles we face have us in training for sainthood. Conscience limits our options.

    The continuity of life is the only view worth harboring.

     

     

    art by Claudia Hallissey

    October 14, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • In All Things

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    In All Things

    In all things,
    the wheat will be gathered
    and the chaff discarded.
    The kernel bears the fruit
    but the husk in its time
    will yield its stuff.

    It will be found worthy
    by those in search of husks.
    And then the chaff discarded
    will be left to kernel another time.

    The lilies will be beautiful
    and the mustard will yield a seed
    to carpet all of the world.
    We will one day bless
    the utility of it all.

    So when we prepare our truth
    for another world,
    where the kernel is cherished,
    we will again be refined
    for another world and time.

    Ponder a mystery.
    How to judge the wheat and
    by what method dismiss the chaff?
    Except we lament the errors
    and rectify promises not kept?
    Falling upon another time,
    those will carpet the world.

    And I, with honed thought
    and justified motive,
    will follow them, each.
    And when they stumble
    with foot unsure,

    I will bend and pick them up,
    for they bear my name.

    poem from The Last Bird Sings
    Art by Claudia Hallissey

    October 10, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Beginnings

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    We  began in universal waters
    as particles of nonsense,
    showing no discernment.
    We collided and combusted
    when two immutable pieces united.
    We formed an eye of calm
    in the maelstrom and grew.
    Spongy surfaces clung to us and
    weedlike trails spun from us.

    With no conscious knowledge we grew
    and yielded a vitrum that put forth ague.
    Our disposition was entrusted
    to a holier source than we.
    For as we spun our sugars an Other
    spun for us.

    In collusion,  we engendered knowledge,
    fraught with growing pains.
    Our positions were tortured
    by a history of emotions and
    tattered memories surfacing.
    We danced on hot rocks.
    We slept in cold places.
    We loved in silence and cried out loud.
    We became Man when we dreamed
    the earth into being.

    Even now we dream of universal glory,
    charting the voyage through universal seas.
    We will become a particle in an Other’s dream,

    whose discernment only now begins.

    Poem from Kiss The Moon
    photo by Joshua Hallissey

    October 6, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Memory Quilt

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    Memory Quilt

     

    When it is time
    I will draw high
    my memory quilt,
    to cover shivering bones.

    Pictured will be events
    richly patterned
    and pleasing
    to the soul.

    Astonishing not to recall
    emotions pressed beyond belief,
    battles fought
    to frightful finishes.

    Left like barnacles
    clinging to a disabled craft,
    slippery in substance,
    suitable only for discard.

    When it is time,
    the memory quilt drawn
    will show kaleidoscopic events
    lending warmth to fragile skin,

    haunting in their beauty
    remembered,
    while I take flight

    in triumph, warmed.

     

    Poem from Kiss The Moon
    artwork by Claudia Hallissey

    October 1, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Pieces Of The Rock

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    Pieces Of The Rock

    Destiny causes us to pursue what is inherently ours, pleads our cause and then the ethers guard jealously the petitions.

    The intangibles provide the greater obstacles in life.

    The storm is the whirlwind but what follows is gentle on the brow.

    If your batteries need recharging, how will you light up the world?

    When the heart takes a sabbatical, more than a transplant is needed.

    Easy to be philosophical on a full stomach?   Physical hunger is only one of many hungers and the easiest to satisfy.

    If one can afford it,   a blank check can be written to feed the world’s physical hunger. No amount of money can touch spiritual hunger.

    We tire eventually of depending on sheer endurance.

    Solitary communion feeds.

    September 27, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Don’t Stare At The Moon

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    Don’t Stare At The Moon

    Any farmer knows
    you don’t stare at the moon too long.
    You get a little soft in the head, they say.

    What they really mean
    is that magic overtakes you
    and carries you to the place of green fields,
    of orchards heavy with fruit
    and cucumbers cultivated straight
    as a shot of rye whiskey.

    What they really mean is that the magic
    will make you see fields to be seeded
    and calves to be born
    and worlds to be peopled.

    What they really mean
    is that you will fall in love
    with your earth
    and in awe watch the wheat weave its gold mat
    right over your eyes.

    It is a softness of the heart man fears,
    for the myth must enforce
    the hard head to blunt

    the pain of life everlasting.

    art by Claudia Hallissey

    September 24, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Our Sacred Source

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    In rereading some of my blog beginning material,  I found posts that I felt should be repeated.   Many of my newest readers may not be familiar with my work with situations that have become more important as time elapses.  This is one of them concerning my beloved Earth schoolroom.   I present it again and hope it may bring discussion to the dinner table.

    Our Sacred Source

    I heard a grandchild say at a very young age, ‘when mamma is happy the whole family is happy.’   I have seen when a family is in turmoil,  in sickness, and  the hot water tank springs a leak,  the washing machine stops  that mama says,  this we can handle, even   when we  are  out of bread, out of milk with  no cereal in the cupboards.   I have also seen things go right when a family is working in harmony under adverse conditions  because the parent gods work to make it so.

    A young friend says to me that she hates what cloudy weather  does to her and is it ever going to stop raining?  We give credence to all these feelings.   One day I said to another friend, ‘ how are  you treating the world?’   ‘Don’t you mean how is the world treating me?’  he asks.   I assure him I meant what I asked.

    It is not a far stretch to see that our Mother Earth reacts the same way.   Our Earth  reacts to human trauma.   It reacts to human turmoil and human agonies.  There are those who say that earthquakes and tornadoes  and other tragedies are part of Nature and because we have such high tech systems,  we learn of them more quickly.   But we are now a planet of greater numbers and we live in each others’ pockets.   We no longer have large expanses of lands and waters that can absorb Nature’s hiccups.   A tsunami is not a hiccup anymore when thousands of people are running for their lives while water is pushing new beaches where beaches never were before.

    When the Earth splits in two and hundreds are swallowed  in another earthquake while the other side of the world moans in pain as markets react and jobs and economies are torn asunder, this tells us  we are of one brotherhood.  We are as natural to our planet as all other species and events.  Thoughts carry power as strong as Nature itself.  Thoughts and emotions weigh heavily and will have their aftermath somewhere.

    We cannot separate Nature’s events from the emotions that view them.  We rise from the same bed.  Let us respect and pay homage to our Sacred Source.

    photo by John Holmes

    September 20, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Angels We Have Heard

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    Angels We Have Heard

    He came up quietly and stood shifting his weight from one foot to the other. I put my book down and waited for him to speak. Can we go, he asked, to see the lady with the blue cloths? Is there a reason you want to go, I asked. And he said I need answer to question.

    Okay, I said, we can do that. I can be ready in a few minutes. And he ran to get himself together and we were good to go. We chattered about many things on the way to the place with the lady with the blue cloths. There was no mention of the things that needed answers. I asked if I could be with him while he talked to her. Always, he said, he wanted me to be part of the answers. I not like secrets, he said, just regular stuffs that he had been thinking about.

    So we entered the place and were welcomed with hugs. He said he needed to ask some things and she was the one who would be able to answer him. We went to a small table where she did her work and she made us comfortable. Ask me what you need to know, she said. And the young one looked at her and said in a firm voice, I don’t want to forget where I come from, he said, and I afraid I won’t ‘member and how can I ‘member when my friends say it is baby stuff I talk about. Yet my friends who not seen, are part of that other place. I not want to forget them ‘cause they say things that are ‘portant. How can I ‘member when here friends don’t talk?

    The hardest part, she said, is for you to want to remember. You must do the remembering and see how everything connects. It will be hard for you and they will make fun of you. But the here friends are afraid to be different. And only when you remember from where you have come can you make life better and make a difference. You may not see the difference you make, but from another place, it is a big difference. It hurts when they laugh and you wonder especially if it is important. But it is, it is. And good friends will want to be with you. Because they know you are special. She had put her hand over his on the table and he curled his fingers around hers.

    He stood up and said, I ‘member. You help me to ‘member. Yes, she said, you will. You will. He took my hand and we thanked her. She nodded and whispered it begins and I bless.

    September 15, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Where Are You Going, Absalom?

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    Where Are You Going, Absalom?

    ‘to where the moon
    can melt the sun,
    the cactus blooms
    at high noon
    and the darkness
    bids good morning. . . . .

    where cowled thoughts
    and taut skin
    need never cover
    hot bones
    and the cactus
    no longer pricks . . . .

    to fly wingless
    to the mind’s ankh,
    taking only me, only me
    and find that I
    suffice.

    I’ve been before
    to Paradise,
    but forgot.
    Reaching in,
    I reach out,
    touching my own
    nimbus.
    I’ll not be gone long.’

    David wept.

    Photo by John Holmes

    September 12, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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