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  • Industry And Creativity

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    Industry and Creativity

     Our world needs our arms and legs and talents.  Heaven needs our industry to keep our planet afloat.  We are industrious and we are also creative.   And to be both is what life is all about.  We construct our lives by what is imaged and we create in physical space what we envision.   This planet is the best classroom ever because what we envision we can make manifest as quickly as we gather materials to do so.  There are those who  never take  time to process information into something they can do within the framework of where they are.   They hasten to buy it all and wonder why there is so little satisfaction in the acquisition.

     Taking an idea, we soon find it gives birth to many more.   For some of us it is like looking up a word in the dictionary.   One word gives rise to another and soon we  spend hours looking up words that pique our interest and add depth to our vocabulary.  What is needed is time for solitude to sift and sort and explore.  Everyone needs solitude, from the toddler to the elder.  Time is needed for an idea to come to fruition.    It cannot be done in front of a screen designed to constantly stimulate without time for employment of an idea.   A  ‘go to your room’  was never argued in our home for it meant there would be uninterrupted personal time.  Personal time meant personal space was not violated.  It was time where thoughts could roam the ethers and come back full of substance.

     I was grateful for hours spent observing  work done by my brothers and our sons.   Learning to do was my genetic heritage.  With the birth of grandchildren also came the birth of woodworking for me.  Starting with plaques I soon ventured into toys.   It was also grief therapy needing to heal a breach in the family when our David died.  The shaping and the sanding were helping put love into  toys our grandchildren would be playing with.  Working with our hands is part of who we are as human beings from the first wedge and mallet we shaped from rock.    This may sound like old fashioned work but one might find it a delightful addiction.  And though we might think otherwise,

     most of us were not to the manor born.

    (Some of the Pink Feather Fleet were space vehicles.   Of course,  of course.  That is why I called them Illusion I, II,  etc.)

    August 16, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • If We Sing To The Children

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    If We Sing To The Children

    I wear these memories
    as a cloak to ward off the chill.
    Emotions forgotten, but like new now
    ripping along my arms,
    settling bumps in straight rows
    to my heart.

    Kindred hearts, matching
    my own heartbeat,
    with eyes like mine and
    reflecting our souls.
    Music in voices saying,
    ‘and when I look at weeds beside the road. . . .
    but you know,  you know. . . .’
    And I do, I do and we look with eyes
    that see and ears that hear the song
    of the bird before his sounds
    have escaped his throat. . . .
    and the music rumbles in our blood,
    coursing through our hearts
    and gives life only
    to those who are ready to listen.

    Not many to be sure,  not many,
    but if we sing to the children
    perhaps,  just perhaps,
    the earth’s cacophony will one day
    be harmony.

    It is our heritage;
    from where it is we come.
    From the farm country I was given
    a substance that does not spoil,
    that does not turn sour
    even in the residue of life.
    It is not dregs that I drink.
    It is the cream rising to the top of the milk.

    I needed to see a skyline
    with no obstruction and with no words

    you laid your hearts on me.

     

    8/11/14                                                                      photo by John Holmes

    August 12, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Bless The Experience

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    This particular post has been a favorite one of many people.  It is to me because of various reasons and I need to remind my self  that blessing an experience,  especially ones that are painful to remember,  is as necessary for my well being as giving silent thank yous for the many good experiences.   The painful ones have broadened my premises and expanded my vision.  And have kept my heart beating when I would have commanded it to stop.   I introduce this post to my new readers and remind my self to be grateful for life’s entirety.  And to the muses who sent it to me and nudged its posting again.

    BLESS THE EXPERIENCE

    I learned something today.  I learned to ‘bless the experience.’
    For if the experience has been a negative one, has left me with
    a hurt so deep,  has filled me with anger,  then I must bless it.
    For in the blessing I remove its power to hurt me again.
    I leave it impotent, unable.
    I’ve taken the wind out of its sails and there it sits,
    blessed for the teaching but unable to wield its power over me again

    If the experience is a positive one,  I bless it.  In like manner,
    it will remain powerful and upon recall,  able to confer
    its goodness time and again.
    In my thinking happily on it,  I will automatically
    bless it again.

    Life is a blessed experience, all of it.
    Bless it generously and gratefully.
    It teaches us magnificently and impartially.
    These are the magic words.
    For in the unhappy experience we are taught swiftly
    and surely and must bless the lesson.
    In the happier one our pleasurable memory is our reward.
    In blessing all of it, we make our truce with life

    and secure our place in it forever.

     

     

    photo by John Hallissey

     

    August 7, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • To Research Oneself

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    The Teacher Speaks. . . . .For the one who searches the Heavens  for his answers and then hopes to find the answers in his actions, his activities and in the midst of his affiliations,  he might find them there if he chooses so.  But chances are the answers he seeks will be in his living room in the wise hours of the morning.  Or in the closet of himself when he unearths the meaning of who and what he is.  

     The largest undertaking of one’s life is when one researches oneself.   It is no small matter.   It is all that matters.   It can be done in the kitchen of the house,  in the classroom or the market place.   It is done anywhere and the truth of the matter it is seldom done,  period.   Not many wish to give up the day’s entertainment in search of one’s identity.  Too much trouble and too much hurt.   One finds that nothing has meaning without the central meaning of life.  One must have a healthy core for the fruit surrounding to have texture.

     

    YOU CAN GO HOME

    I shall teach you
    about your root.
    The fog will dissipate
    and you will walk in truth.

    Truth is fashioned
    to resemble you.
    Perfect in beauty,
    laying dormant,

    only to be awakened
    from the impenetrable error
    holding
    you hostage.

    Anguish
    will no longer companion you.
    The veil will be stripped away
    and you will be set free.

    No longer will you agonize
    about beginnings and endings
    and have terror ripping you
    to the grave.

    Space will be encircled
    and no longer will you be paralyzed
    at the thought of oblivion
    and you will know

    that you can go home.

                                                                                                      photo by John Holmes

    August 6, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • The Day Is Good Bread

    Resentments hang heavy on the heart.

    Heaven teaches by the only weapon they have.   That is Conscience.

    Beware the one who sings loudest in church.   They may be pleading a cause of which they are not proud.

    Swift action by the wrong person often takes the decision out of the hands of the one who should be making it.

    When the premises are broadened and the frame of reference pushed out, the view is expanded.

    You cannot stoop but an other’s back is bent.   You cannot breathe but an other’s breath is taken.

    Privacy is the ultimate illusion.

    Work, lovingly done, is prayerful attendance to life.  It is reverence toward life.

    Words will hang a person.   Words are nooses with scaffolding complete to hang the man.  Words will    by themselves come back to haunt.  This is what the weight of words is.

    Parenting is a sacred trust.   And children come with a sacred permit.

    Every world requires maintenance.  Even Heaven.  So we better get in the habit of cleaning up our own messes.

    August 3, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Echoing Softly

    Echoing Softly

    Echoing softly,
    in the night the willing heart
    is nudged quietly into sleep.

     Wondering why
    in this place,
    the interest pales and fails
    to keep soul aloft.

    There is no time as now
    for events to falter,
    for the spirit wills
    its place to be yet..

    So, come now,
    foolish it is to deny
    one’s place in a world
    so unsuspecting.

    Time will yet be
    for the soul to shine.

    August 1, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • And We Live Again

    IMG_20140730_134706_646 (2)the music tangles
    in the wind
    of muted sound
    and we live again

    When our son became seriously ill and I could not find holiday cards that spoke to what my heart carried,   I started to make Christmas cards.   The first card was made with construction paper  and carried a poem of mine that I had a local printing company print.   That Christmas I learned of many who were carrying heavy burdens who appreciated the card.  One man said that he told his wife Eleanor, we will frame this and I will live!   He had just recovered from a heart attack.   He said I will be reminded every day and the card in a frame on his dresser was his reminder.  We do not know when we make the effort to do a something how far the ripples will reach.

     This wall quilt is a fabric version of a Christmas card I made when we as a family faced an unthinkable future.   But we learned many things and were gifted with joys never thought possible.  To begin to do with one’s hands and mind is a gift of unmeasurable dimensions.

     One of the most important lessons we can teach our young is to begin the task, whatever it is that one desires.   Even when we don’t know how to do something, beginning will be the largest hurdle to overcome.   When we begin,  we will be shown how.   In just measure  commensurate with our abilities,  we will be taught.   And this is how we learn.  This is how we accomplish what it is that is our heart’s desire.   The materials may not be the best,  but whatever we have on hand is what we use.   Eventually, ways will be shown and events conspire to place within our hands what will not only be useful, but necessary.   But we must begin.

     Not everyone will be an artist, but we can do what is within our capacity.   Our technologies have placed lessons on television, but we find ourselves judging what we do with professionals who have spent lifetimes doing.   We can express ourselves within our means and do something we have not done before.   Our efforts at what we are able to do are commendable.   And these efforts are noted.   They allow the god within to cheer us on and say now we can do this and this.   It will be with effort and care and we will do better and better.   And one day we will call ourselves primitive artists but more importantly we will be able to take another step in conquering the fear that we cannot do anything.

    July 30, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • How To Comment On My Blog

    Dear loyal followers,   

    I have had some emails from you and you are having difficulty making your comments on my blog.  Many  of you receive my posts in your smart phones.  To make comments you must go to my blog which is fromanupperfloor.com.  If you put me into your toolbar it will be easy for you to tap into my blog.  I have asked our family friend John to go through the process in language to be understood.   He sent me the following and I am grateful.  Please understand that your  e mail address is never made public.   I think you will  appreciate seeing your thoughts  on the post and also to show you what others are thinking.   I love your e mails to me.  Do not stop them and I would always ask permission before using any part.   I hope that following these steps will make it easier for you. 

    I am grateful that you are in my life and I appreciate your letters to me.   Realize please,  that I do not ask for agreement on my posts.  Just your thinking on the subject.  Only in sharing thoughts do we continue the process of growth.   

    How to leave a comment:

    1. Click ‘Comment’ below the item you want to comment on.
    2. Move down to the ‘Leave a Reply‘ box and type in your comment.NOTE: This will cause new boxes to be displayed.
    3. Move down and type your email address in the first box.NOTE: This is a required field and cannot be left blank. Your email address will not be sold or released to anyone.
    4. In the next box, enter your name as you want it to appear on your posted comment.NOTE: This is a required field and can not be left blank. It can be your full name, just your first name or initials, or simply ‘Anonymous’.
    5. The ‘Website‘ box is optional. If you have a website, you may enter your URL.
    6. You can use the check boxes that apply to your wishes.
    7. Click the ‘Post Comment‘ button and wait for the comment to appear on the screen after it is posted.

    You’re done and thank you for commenting.

    July 28, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • A Silent Thank You

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    Hey there, mister. . . .are you ready?   Almost,  he says and in a few minutes he appeared.

    Where are we going,  he asked and I said to do some errands .   We can walk and because it is early,  it is still cool.   We did not hurry along,  just sauntered.   As we came to the corner we heard a marvelous bird song.  We stopped, looked at each other and then he pointed up.   We saw the solitary bird singing his mighty song.

     The little one squinted and said I see you and I hear you.  And the bird stopped his singing.   Ohhh the young one said.  We waited and then walked on.   It is okay,   I said.   We continued to the next corner and there was another clear song.   We looked up and he said whispering,  I not say anything.  So then I said,   I can hear you but I cannot see you.  And the singing stopped.

     They not like our saying to them that we like their singing?   I cupped his face with my hands and said,  I think they are surprised that we take the time to listen.   By listening we say thank you quietly  and they hear our thoughts.   He took this thought and nodded yes.

     A few blocks later there were songs being sung though we could not see any birds.   I felt a tug and looked down at the questioning face and in his grateful voice said we do not see you but not stop your song.  And they continued to sing.

     I also thank them he said.   Do other peoples give thank yous?   I guess not too often I said.  We forget as we get older I think to give thanks for what we do not see even when it is beautiful and we know even when we do something good and could not do what we do alone without some help.  Like the singing and the morning and the night when we sleep.   I ‘member always now, he said.   I don’ want the singing stop ever.   Not ever he said.  My heart be sad then, he said.  Very sad.

     Mine too,   I said.   Mine too.

    July 25, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Listen, Ophelia

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    The English Professor took umbrage with me and my manuscript.   He said he had never seen anyone do this before!  It was unheard of! He called me an anarchist.   (I had to look up the word because I was not quite sure what was meant.  One who overthrows is an anarchist.)   He had read all poets and they always lifted man up.   He said of me that I brought God down to man’s level.  (Is this not how Christianity came to be?)   I had to I said,  because if it did not work for me where I was,   then it was a lie and I did not care what other worlds these precepts worked in.   And then he asked if my husband believed as I did because after all they had worked together on committees.  This was my work and a given and an independent study,  meaning that this poetry came through me.   The manuscript was under another title.   It now has a working title called My God and Me.   This is one of the poems in the manuscript,  (always a work in progress).

    Listen, Ophelia. . . .

    Ophelia,  I will say
    do you think I am dead?
    I sit on the very breath you breathe.

    I will waft an orange fragrance
    o’er your head
    and you will see me take form.
    I will crash the air
    with cymbals
    and you will hear me enter.

    A cat cries in the night
    and you will hear the infant.
    The moon will send its shaft of light
    through the north window
    and you will be plagued
    with memories
    you will scarce remember.

    You will warm yourself with the sun
    from the south window
    and it will nudge a time and place
    on the edge of those same memories
    and you will know
    and still not know.

    I have taken you to my bosom,
    held you and pushed you away.
    And at once tightened my hold
    so you will never be free.

    You think I am dead?
    I ask you,   Ophelia,. .

    Who indeed is dead?

     

    Photo by Joshua Hallissey
    click to magnify

    July 21, 2014
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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