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Illustration of a bird flying.
  • Previous Harvests

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    Previous Harvests

    Scribed on the fine parchment
    of memory are the summers
    of previous harvests.
    Long tables are full of heaped bowls,
    breads baked to a fine crust,
    jellies and jams wobbly in the best dishes,
    a must for the farmers;
    men who had come
    to levy up the huge bales of hay
    or to harvest the acres of golden corn
    with brown silks clinging; husks
    to be decided upon.

    Year after year,
    orchards with apples ready to yield
    their crisp skins to children
    eager for their first bite
    of the autumn’s first fruit.

    I watch the years unfold the details
    of life requiring care,
    in the midst of families
    sidelining their needs and interests
    to the dark hours when no energy is left
    to work into the night.

    How hard to be human and make a life
    when to make a living
    takes all one has to give
    and leaves one’s soul,
    at times seemingly, bankrupt.

    We now sit at a dinner table
    and rolling like script before me
    are the farmers hoping to get in
    just a bit more of what they work
    before weather will take away any profit.

    We eat the good food from the kitchen
    from the hands of ones who already
    tire to support by other means
    a way of life no longer sustainable.
    Civilized life still depends
    on the grunt work
    of those who love the land;
    on the hard work of hearts
    whose love of family and ritual
    will one day provide a strength
    when strength is nowhere to be found.

    This Earth classroom demands tuition
    for instruction in the art of living.
    And fees are incredibly high.
    Life is this circle we live in
    and meet end to end.
    It is with sacred breath we work to keep

    the circle intact.

    art by Claudia Hallissey

    July 23, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Resolution

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    When I talk in terms of quantum theory, of parallel worlds, or the profound effect the invisible has on the visible world,  it was not going to have a name for me until this year of 2015.  But a different head was mine from day one. Yet in the late 60’s when the tsunami went crashing in my skull with ocean waves,   even the best doctors did not know what happened to me.  I was rational and I was articulate and in the dark as the doctors were.  I think now of the courage of that young Veronica who, still shaking, was asked to speak of the experience to a huge room of psychiatrists eager to ask questions.

    I was still to come upon the works of Jane Roberts and probable selves, or counterparts of ourselves.  It was to be my breakthrough and give me a different outlook on myself.  Do we shape our future?  If I expect a continuity of life, an ever striving, ever learning situation,  I will experience it.  My friend Dolores expected to walk into the arms of Christ and ‘abide there forever.’   I could not be happy with her philosophy or her faith, yet for her it was correct.  My search has not been easy and has been emotionally devastating.   Yet I don’t know how I would have coped with life.

    There is a rationality and logic to life which I did not find in the orthodox church.  Having mentally argued with priests and ministers as they delivered their dogmas since I was five was a tiring exercise.  A lifetime of argument is too long.

    Intuitively one might know a statement is correct but intellectually find it untenable.  An upheaval of a major sort was the only solution.  In due time what is meant for you will have to be accepted at whatever cost.  Man’s evolution may be delayed but no power can stop it.   The following poem was written at the time and I present it now with a fuller understanding that only time can give us.

    Resolution

    Where is the counterpart of me
    and where did we separate?
    A cave, a room, perchance eternity is ours,
    from where we came
    and to where we will return.

    Searching, I seek, that part of me,
    a faceless face, a formless form,
    substance without substance.
    I know not but that it is gone
    but when we meet,
    it will be Me.

    I am come, a part of a whole,
    yet wholly here.
    My self knows not what love peels
    to find the truth of Me.

    Tempered by fire, my soul searches,
    seeking within the crevices of Being,
    the my of mine, the Thy of Thine.

    Content no more am I with what I am,
    impatient to be freed of me.
    I have come into the Light
    but what to do?

    On the day I was one,
    I became two.  Now I am two.
    What to do but seek and seek again

    until I find I walk this Earth not godless.

    artwork by Claudia Hallissey

    July 20, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Moments

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    Moments

    Our moments were tender,
    those moments over coffee
    and whatever cheese Danish
    I could find. . . .

    We loved those times,
    free wheeling we said,
    as if cares of the day
    had faded from our lives. . . .

    No need ever to apologize
    for  moments stolen
    from life’s busy encounters.
    They were the most important.

    They cemented our past
    into a foundation
    our beloveds counted on
    to build their futures. . .

    To have run away would have
    left orphans in our wake.
    We laughed and reveled in the little time
    as we pretended no ties other than
    when we had our last coffee

    and knew our let’s pretend was. . . .pretend.

     

     

    Painting by Claudia Hallissey

    July 19, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Born To See

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              Born To See

    You ask,

    how do you do it
    to see what you see?

    And I say,

    my heart pools in my eyes
    and I weep with the poignancy of love.
    I see the generations who have worked
    the fields and the August sweat that poured
    off brows to be wiped by the long sleeves
    on blue shirts. . long sleeves helped keep
    the shards of thistles from piercing the skin.

    And you say. . . . .

    why work the sweat jobs that others can do
    when you have money in the bank?

    And I say. . . .

    money in the bank is for the lean, cold months
    when the fields do not produce.

    You say. . . . .

    I would find something else to do.

    I say. . . . . . .

    when you love the land and the peoples
    who worked it before you, it is a requisite
    to have that love primary.
    Otherwise, you work for no thing, nothing.

    Arguing, you say. . .

    that old wreck of a plough needs replacing.
    You need equipment and you need money.
    What do you see?

    I see. . . .

    how wealthy I am.
    The old plough sits with acres behind it;
    I see bushes with thrushes, ponds with live waterfowl,
    I see huge windrows of bundled hay,
    and I think that feeding the peoples
    is a good way to pay my way on this Earth.

    You say. . . .

    so you see what went before to form the picture now.

    I say. . . . .

    my heart sees the love that went into
    the building of this dream.
    And the dream puts food on the table
    for the children in the final picture.

    And you say. . . .

    I cannot see it that way at all.

    Then I conclude. . . .

    perhaps we need to be born with eyes that see;
    and we see what our hearts deem to be ours to see.
    Perhaps you need to talk to the Potter.

     

     

    photo by Kathy Qualiana

     

    July 16, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • An Argument

    Toward A Destiny

    An Argument

    It was an argument
    persisting its stuff as
    all of them do.

    I say. . . .
    the camera portrays
    what the photographer perceives.

    And he insisted. . . . .
    that the camera sees
    the fact in nature
    and records it as such.

    I say. . . .
    a fact in nature changes
    as the person who perceives it.

    What do we do. . . .
    if what we see is not
    what the photographer sees?

    I say. . . .
    get thee to an altar and pray.
    Rightly so.
    Go find an altar and pray.
    So that what is
    perceived as beautiful,
    as poignant or a crime to humanity
    is what we see.

    Quickly. . . .
    Go find an altar to pray
    for your heart is in imminent danger.

    Photo by John Hallissey

    July 13, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • There Is Unfinished Work Everywhere

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    There Is Unfinished Work Everywhere.

    There are some things I simply cannot go back to. As I read past journals,  I do a lot of delving  to see what I skipped over and what I did not integrate.   I  then see what direction I must take.   There are some things I cannot go back to.   I cannot go back to thinking that we are not safe and I cannot go back to thinking there is no place for certain that we go to.  And if there would be nothing, I would create a world to go to or a something before I would allow a nothing.   And I would find my match somewhere.  Why?  Simple reason.   If mushrooms come back time after time and a daffodil, why not me?   I am unfinished.  I have not reached my full potential.  We give a cat nine lives but expect a human to reach perfection in just one?  There are many worlds in this Universe and I think that human beings are worth as many chances as necessary. Some of those chances won’t be  pretty for the ne’er do well,  but we are redeemable.

    I was told there is unfinished work everywhere.    Some years ago when a friend and I were taking classes in Religion and sitting in the hallway waiting for the present class to disband,  I looked up at the wall across the corridor and saw a painting.  What I was seeing made me sick to my stomach.  My friend turned to say something and asked hurriedly,  are you all right, you look sick?  I pointed to the painting.  I have been there and I know that place, I said.   She looked and thought it plain but to me it spoke .   I have tried to show in the wall quilt what I remember.

    It was a desolate landscape.   There were ice mountains in the background.  There was a building,  more barracks like  with  no thing,  nothing around it.   The moon was white and things were outlined but barely so.   Sparse would be putting it gently, but desolate and bare of life would say how tragic it felt.  I could not say what world.  But unfinished work it is.

    There comes to mind a commonly held thought that when we transit it is always to a better place.  But what if it isn’t?  What if we find ourselves  doing the work of mules in places that need our talents in  very practical ways?  Would we not answer the call to help in the vineyards  with things of value that moth and rust do not destroy;  things of the mind?   Most people seem to think that we are at a loss as to how things happen but  Jesus said, as above, so below when he stood on the rock.   Life on Earth is the reflection of Heaven and we the reflection of what we hold as truth..  Are we not all unfinished work?

    There is unfinished work everywhere.   I cannot go back ever to not knowing.   There are worlds needing what we hold as valuable, what we can only take in Mind.  We may look like mushrooms but our hearts are daffodils.    It is a good thing to keep in mind.

    July 9, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • A Journey Of Note

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    A Journey of Note

    With these, the words of my language
    and pieces of my heart, are memos of
    this journey to the top of the mount.

    It was not easy and I cannot say for sure
    how long in years the trials have gone.
    It consumed a private life as dogma
    was pulled out of folds of memory,
    housed by many lifetimes of discontent.

    I knelt as if in prayer on the tiled floor
    as the tenets from childhood into maturity
    were raped by thoughts pulsing
    the rotted gut of my thinking and expelled
    into the enameled pot and fixtures
    in the only private room in the house.

    It is hard even now to bring to mind
    the fears which left me cold and wet
    in rising high temperatures
    of the hot summers and sent me
    for the flannel robe to simply wrap
    a terror stricken body shaking to death.
    And all the while I held posture over
    the children’s growing years.
    They would not know what went on
    when I bid them good day as they
    went out the door while I secretly wished
    for any reason for one to stay home.
    It would then be a blessed relief,
    from an ordeal that was an imperative.

    This physical portion mirrored the
    mental onslaught that was unending.
    Life went on as terrors surfaced
    with life’s crises paralleled
    in rigid profusion, family problems,
    requiring parental intervention.
    And in the narrows of public life
    was harrowed a private one to appear
    more nearly normal. I manicured lawns
    and maintained the premises as
    guests and families were entertained
    and holy days held their accustomed
    rituals and patterns. Life went on
    in an orderly fashion and I found solace
    in the garden on speaking terms
    with my hands in the Earth.

    I have been told that many
    a muscled man of girth has
    turned away from this journey of note,
    never to give quest again
    to heaven’s knowledge.
    Better to leave heaven to their own secrets,
    they often said, than to forever cripple
    the unsuspecting journeyer.
    Wrath of the gods is vengeance
    upon the heads of those intent on
    simply making a difference.
    Life itself ventures on with wars fought
    on various battlefields, as cultures
    take issue with customs and verdicts,
    long held to be what peoples portray as somas.

    It has taken a lifetime and still in process
    in this the eighth decade of my life.
    I still see the first hours of the new day on my clock.
    Sitting with my notes and journals and books,
    as I did a half century ago, saying this was the time
    when my part of the world slept. It was the speaking
    time for the gods with me in class.
    I see we as humans reflect our Indwelling Gods
    as they be in reflection of the Great God.
    And the Great God worries in Process as He grows
    in wicked splendor to reflect the
    ever increasing universes’ wonders. Meanwhile,
    I near my journey’s end. . . . .with

    the peace as said to pass understanding,
    the triumph, the joy in meeting
    life’s hardest work of discovering
    the core of Me to know
    the divine nature bestowed within.
    ‘Ye are gods!’ the Nazarene shouted from
    the book of words pulled through my heart.
    I did not know
    that to search out the divinity of my God
    would be to discover my own.
    I would make space for the journeymen,
    and lift my arms to catch them should they stumble.
    The prime purpose of this, my journey,
    was the paralyzing need to know
    as much as I could grasp
    and not be found inadequate

    by those I had borne.

    July 6, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • With a Singular Voice, We Pray

     

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    With a Singular Voice, We Pray,

    Grant me peace,  O’ Lord God,
    to this house I live in and carry
    with me to the end of my days.
    Let me see the beauty
    in everything and everyone.
    Help me to understand
    what is mine and what is not.
    And understand that what I consider
    to be highest and best
    in my heart and mind is truly so,
    without meanness or bitterness.
    Let my fellows know of my intent
    to be kind and to give them
    understanding of the highest order.
    Help me to frame that what
    has been a Given from a generous heart,
    I give back the same.

    And let this Earth know without doubt
    that when word is given, we march
    to what it is our hearts require.
    Help us to keep our hearts ready.

    Lead me gently, Spirit,
    to what is mine and allow
    all things that are good,
    all things that are God.

    Amen and amen.

    July 4, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • At Her Bedside

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    At Her Bedside

     She would not last long, I thought, frail as she was, lying there
    with her eyes filling.  She said, they are telling me that the only way to get off
    is to step off.   She made circles with her hand while she lay in the bed, as

    white as the sheets she lay on. The circles she made in the air, went round and
    round and I watched her and then found the courage to ask who ’they’ were.
    And she looked surprised at me as if the question was not even necessary for

    me especially.  She said the Teacher, the Teachers. They are telling me that
    I can get off and another time I will get back on and one would suppose
    a roller coaster but this of course was our Earth she talked of.

    And I know why now, she said, why my mother could not come back to get me
    when she said she would.  She left me at Father Baker’s Orphanage and the
    Sisters would not let her back because she coughed with consumption.

    We often heard of the Sisters at the orphanage who wore black habits lined
    with white and they looked like birds with black wings.  We heard how the
    five year old was so frightened that she could not speak.  She told us how

    her mother was going to come for her as she promised and I know now she said,
    she would have but I always thought she did not want me.  And that was why she
    left me.  And my mother, now withered in age, but calmly smiling the child’s smile,

    knew that she was loved.    Never knowing a mother’s love, she did not know
    how to give a mother’s love to the children she bore.   Never knowing a mother’s
    love, I gave to mine what I sorely missed.  The circle closes.

    They say, she went on, the Teachers talk of things I do not know and I know I
    cannot believe as you do and I told her that there was room and time for all of us.
    We had never talked of the road I traveled nor the scythe I worked of rusty vintage.

    There was never a place of rest for either of us to talk of Spirit or worlds that
    circled mine or even the only one she recognized.  Now I am as old as she was then
    and holding me upright are teachings I broke open the gates of heaven for because

    of a Need To Know.   I carried my burden to her bedside and I affirmed for her what
    the Teachers already did.  And she was my affirmation.   She never knew me and she
    wept.  She never knew the head I carried on shoulders folding under the weight of a

    soul I bartered for knowledge. She will one day remember a someone whom she knew
    who queried the heavens as she will grow to do.   She will also storm the heavens if
    need be because of a someone she knew who had nowhere else to go.

     

    Art by Claudia Hallissey

     

    July 1, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
  • Privacy And Secrecy

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    There is a world of difference between privacy and secrecy.  One can ask for privacy and choose it for  one’s life but secrecy is another matter altogether.  It is drawing a cover or placing some barrier between what one does on one side and with explicit orders not to be viewed by the other.

    Yet privacy is simply asking for sacred ground around oneself.   And granting it to others should they request it.   Secrecy says it is none of your business what I do and privacy says you know what I do and I ask that you protect me from those gaping stares.

    Privacy is when you close the bathroom door and secrecy is when you delete or hide the computer screen when I arrive at the door, so I will not be party to what is going on.  When a discussion cannot be open between partners, whether married or not,  in business or not, then it is secrecy on someone’s part that fails to disclose  heartfelt issues or commonly held issues.  But we know that all secrets eventually will be revealed.  Our characters,  our honor,  trust,  our word rests on these two words, privacy and secrecy, when we are  in a relationship with an other.

    Privacy is a courtesy we extend to each other in those matters where our wellness is secured.   We extend this courtesy because we are in a human family.   And that includes everyone,  not only immediate family.   Secrecy is a two edged sword.   It harms not only the other but us too.   Whether it is on a personal level or otherwise, it is not a world I am comfortable with.   It means I need someone to watch my back.  Why would we choose to live in such a world?

     

     

     

    Painting by Claudia Hallissey

    June 29, 2015
    Veronica Hallissey
    Veronica Hallissey has been writing since the 1960s, with her poetry published in a variety of small press magazines. Born into a farm family in Lockport, NY, and educated at the University of Buffalo and other midwest institutions, she brings and unusual point-of-view to her poetry, combining strong natural images with a deep spiritual language. She lives in Ramona, CA.
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